Silent Fury

The El Bordo Mine Fire

Häftad, Engelska, 2020

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On March 10, 1920, in Pachuca, Mexico, the Compañía de Santa Gertrudis—the largest employer in the region, and a subsidiary of the United States Smelting, Refining and Mining Company—may have committed murder. The alert was first raised at six in the morning: a fire was tearing through the El Bordo mine. After a brief evacuation, the mouths of the shafts were sealed. Company representatives hastened to assert that “no more than ten” men remained inside the mineshafts, and that all ten were most certainly dead. Yet when the mine was opened six days later, the death toll was not ten, but eighty-seven. And there were seven survivors.A century later, acclaimed novelist Yuri Herrera has reconstructed a workers’ tragedy at once globally resonant and deeply personal: Pachuca is his hometown. His work is an act of restitution for the victims and their families, bringing his full force of evocation to bear on the injustices that suffocated this horrific event into silence.

Produktinformation

Utgivningsdatum2020-06-16
Mått127 x 196 x 10 mm
Vikt136 g
FormatHäftad
SpråkEngelska
Antal sidor120
FörlagAnd Other Stories
ISBN9781911508786
ÖversättareDillman, Lisa
UtmärkelserWinner of PEN Translates 2019

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Yuri Herrera’s first novel to appear in English, Signs Preceding the End of the World, won the Best Translated Book Award and was chosen by The Guardian as one of ‘The 100 Best Books of the 21st Century’. His second novel The Transmigration of Bodies was shortlisted for the Dublin Literary Award and his sci-fi inflected collection of stories Ten Planets was a finalist for the Ursula K. Le Guin Prize. He teaches at Tulane University, New Orleans. Lisa Dillman teaches in the Department of Spanish and Portuguese at Emory University in Atlanta, Georgia. She has translated a number of Spanish and Latin American writers. Her recent translations include The Bitch and Abyss by Pilar Quintana.

Booksellers on A Silent Fury‘A plaque. A press release. A mislabeled photograph. Like a paleontologist drawing a beast from a jawbone, Herrera tells a story of greed, imperialism, and complicity from a few fragments of information. The El Bordo Mine Fire is just one almost forgotten tragedy but, like Rukeyser's Book of the Dead, the bright, poetic light Herrera shines on it with A Silent Fury, casting a shadow on our biggest questions.’ Josh Cook, Porter Square Books‘Yuri Herrera's slim and devastating A Silent Fury documents the mining tragedy in Pachuca in 1920 and the government and mining company's attempts to cover up the deaths. There is no more relevant time to read about workers' fights for safety and justice in their workplace.’ Tom Flynn, Pilsen Community Books‘Silence pervades this short book; that of the historical record; that of the the U.S. corporation that owned the mine; that of the survivors; and that of the dead. Herrera is haunted by the silence of the El Bordo mine fire,100 years after 87 miners died, and seeks to record the whispers of ghosts. In this, he is only partly successful, but by attempting to give voice to the silenced, hope is given breath.’ Chapter Books‘Yuri Herrera explores the history of century-old mine disaster in a small Mexican town. Due to the owner’s influence, the historical record is dubious. Herrera’s investigation raises important questions about how the callousness of the powerful can ensure that a callous history is all that survives them.’ Keith Mosman, Powell's Books‘Herrera gives voice to the story untold, to clarifying, devastating effect.’ Molly Moore, Book People‘A Silent Fury is an astonishing piece of journalism. The story is about the El Bordo mine fire in Pachuca, Mexico, and how, when capital comes before workers, lives are too often lost, and justice too long unserved. My favorite book from Herrera yet, and that is an incredibly high bar to reach.’ Matt Keliher, Subtext‘An astonishing combination of history, cultural anthropology, and journalism that sheds light on a previously forgotten mining disaster . . . and a good example of why we need more translated nonfiction.’ Lesley Rains, City of Asylum Bookstore