Lindsey A. Freeman is an Assistant Professor in Sociology and Anthropology at Simon Fraser University. She is the author of Longing for the Bomb: Oak Ridge and Atomic Nostalgia and a co-editor of The Bohemian South: Creating Countercultures from Poe to Punk.

• List of IllustrationsAcknowledgments   IntroductionLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellPART I: SPECTACULAR MEMORY: MEMORY AND APPEARANCE IN THE AGE OF INFORMATIONChapter 1. Haunted by the Spectre of Communism: Spectacle and Silence in Hungary’s House of TerrorAmy SodaroChapter 2. Making Visible: Reflexive Narratives at the Manzanar U.S. National Historic SiteRachel DaniellChapter 3. The Everyday as Spectacle: Archival Imagery and the Work of Reconciliation in CanadaNaomi AngelPART II: SCREENING ABSENCE: NEW TECHNOLOGY, AFFECT, AND MEMORYChapter 4. Viral Affiliations: Facebook, Queer Kinship, and the Memory of the Disappeared in Contemporary ArgentinaCecilia SosaChapter 5. Learning by Heart: Humming, Singing, Memorizing in Israeli Memorial VideosLaliv MelamedChapter 6. Arcade Mode: Remembering, Revisiting, and Replaying the American Video ArcadeSamuel TobinPART III: SILENCE AND MEMORY: ERASURES, STORYTELLING, AND KITSCHChapter 7. Remembering Forgetting: A Monument to Erasure at the University of North CarolinaTimothy J. McMillanChapter 8. The Power of Conflicting Memories in European Transnational Social MovementsNicole DoerrChapter 9. Memories of Jews and the Holocaust in Postcommunist Eastern Europe: The Case of PolandJoanna MichlicChapter 10. 1989 as Collective Memory “Refolution”: East-Central Europe Confronts Memorial SilenceSusan C. PearceConclusion: Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information and New MediaLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellList of Contributors

“This is an extremely interesting collection of essays on a wide variety of memory practices from across the globe.”  ·  Jo Labanyi, New York University

Lindsey A. Freeman is an Assistant Professor in Sociology and Anthropology at Simon Fraser University. She is the author of Longing for the Bomb: Oak Ridge and Atomic Nostalgia and a co-editor of The Bohemian South: Creating Countercultures from Poe to Punk.

• List of IllustrationsAcknowledgments   IntroductionLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellPART I: SPECTACULAR MEMORY: MEMORY AND APPEARANCE IN THE AGE OF INFORMATIONChapter 1. Haunted by the Spectre of Communism: Spectacle and Silence in Hungary’s House of TerrorAmy SodaroChapter 2. Making Visible: Reflexive Narratives at the Manzanar U.S. National Historic SiteRachel DaniellChapter 3. The Everyday as Spectacle: Archival Imagery and the Work of Reconciliation in CanadaNaomi AngelPART II: SCREENING ABSENCE: NEW TECHNOLOGY, AFFECT, AND MEMORYChapter 4. Viral Affiliations: Facebook, Queer Kinship, and the Memory of the Disappeared in Contemporary ArgentinaCecilia SosaChapter 5. Learning by Heart: Humming, Singing, Memorizing in Israeli Memorial VideosLaliv MelamedChapter 6. Arcade Mode: Remembering, Revisiting, and Replaying the American Video ArcadeSamuel TobinPART III: SILENCE AND MEMORY: ERASURES, STORYTELLING, AND KITSCHChapter 7. Remembering Forgetting: A Monument to Erasure at the University of North CarolinaTimothy J. McMillanChapter 8. The Power of Conflicting Memories in European Transnational Social MovementsNicole DoerrChapter 9. Memories of Jews and the Holocaust in Postcommunist Eastern Europe: The Case of PolandJoanna MichlicChapter 10. 1989 as Collective Memory “Refolution”: East-Central Europe Confronts Memorial SilenceSusan C. PearceConclusion: Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information and New MediaLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellList of Contributors

“This is an extremely interesting collection of essays on a wide variety of memory practices from across the globe.”  ·  Jo Labanyi, New York University

Lindsey A. Freeman is an Assistant Professor in Sociology and Anthropology at Simon Fraser University. She is the author of Longing for the Bomb: Oak Ridge and Atomic Nostalgia and a co-editor of The Bohemian South: Creating Countercultures from Poe to Punk.

• List of IllustrationsAcknowledgments   IntroductionLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellPART I: SPECTACULAR MEMORY: MEMORY AND APPEARANCE IN THE AGE OF INFORMATIONChapter 1. Haunted by the Spectre of Communism: Spectacle and Silence in Hungary’s House of TerrorAmy SodaroChapter 2. Making Visible: Reflexive Narratives at the Manzanar U.S. National Historic SiteRachel DaniellChapter 3. The Everyday as Spectacle: Archival Imagery and the Work of Reconciliation in CanadaNaomi AngelPART II: SCREENING ABSENCE: NEW TECHNOLOGY, AFFECT, AND MEMORYChapter 4. Viral Affiliations: Facebook, Queer Kinship, and the Memory of the Disappeared in Contemporary ArgentinaCecilia SosaChapter 5. Learning by Heart: Humming, Singing, Memorizing in Israeli Memorial VideosLaliv MelamedChapter 6. Arcade Mode: Remembering, Revisiting, and Replaying the American Video ArcadeSamuel TobinPART III: SILENCE AND MEMORY: ERASURES, STORYTELLING, AND KITSCHChapter 7. Remembering Forgetting: A Monument to Erasure at the University of North CarolinaTimothy J. McMillanChapter 8. The Power of Conflicting Memories in European Transnational Social MovementsNicole DoerrChapter 9. Memories of Jews and the Holocaust in Postcommunist Eastern Europe: The Case of PolandJoanna MichlicChapter 10. 1989 as Collective Memory “Refolution”: East-Central Europe Confronts Memorial SilenceSusan C. PearceConclusion: Silence, Screen, and Spectacle: Rethinking Social Memory in the Age of Information and New MediaLindsey A. Freeman, Benjamin Nienass, and Rachel DaniellList of Contributors

“This is an extremely interesting collection of essays on a wide variety of memory practices from across the globe.”  ·  Jo Labanyi, New York University