“Hagiography is no longer the exclusive bailiwick of church-affiliated scholars but draws others from fields such as women’s studies, social history, and the politics of literary production. Disciplinary boundaries between art history, literature, and the history of religion have all been breached in the new studies of saints’ cults. . . . Signs of Devotion is an exemplary demonstration of how fruitful such interdisciplinarity can be.”—Kathleen Ashley, University of Southern Maine