Shakespeare's Literary Authorship

Inbunden, Engelska, 2008

AvPatrick Cheney

1 149 kr

Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Finns i fler format (1)

Häftad

819 kr

Skickas inom 7-10 vardagar

Re-situating Shakespeare as an early modern professional, in this book Patrick Cheney views him not simply as a man of the theatre, but also as an author with a literary career. Rather than present himself as a national or laureate poet, as Spenser does, Shakespeare conceals his authorship through dramaturgy, rendering his artistic techniques and literary ambitions opaque. Accordingly, recent scholars have attended more to his innovative theatricality or his indifference to textuality than to his contribution to modern English authorship. By tracking Shakespeare's 'counter-laureate authorship', Cheney builds upon his previous study on Shakespeare and literary authorship, and demonstrates the presence throughout the plays of sustained intertextual fictions about the twin media of printed poetry and theatrical performance. In challenging Spenser as England's National Poet, Shakespeare reinvents English authorship as a key part of his legacy.

Produktinformation

Utgivningsdatum2008-06-26
Mått152 x 229 x 22 mm
Vikt640 g
FormatInbunden
SpråkEngelska
Antal sidor324
FörlagCambridge University Press
ISBN9780521881661

Tillhör följande kategorier

Litteraturvetenskap inom Skönlitteratur

Introduction: 'Printless foot': finding Shakespeare; Part I. Rethinking Shakespearean Authorship: 1. The epic spear of Achilles: self-concealing authorship in The Rape of Lucrece, Troilus and Cressida, and Hamlet; 2. The forms of 'counter-laureate authorship': Titus Andronicus, A Midsummer Night's Dream, 1 Henry IV, The Tempest; 3. Lyric poetry in Shakespearean theatre: As You Like It, 1 Henry IV, Henry V, The Tempest; 4. Books and theatre in Shakespeare's plays: Richard III, Love's Labour's Lost, Romeo and Juliet, Othello; Part II. Fictions of Authorship: 5. 'Shows of love . . . bookish rule': theatre, book, and literary history in 2 Henry IV; 6. Halting sonnets: the comedy of Petrarchan desire in Much Ado about Nothing; 7. The profession of consciousness: Hamlet, tragedy, and the literary eternal; 8. Venting rhyme for a mockery: Cymbeline and national romance.

'Patrick Cheney's new monograph greatly enriches our sense of Shakespeare's authorial status in his own time. Cheney's incisive readings of plays of all genres, from early to late, suggest a playwright who reflected on literary authorship while functioning successfully within an intensely collaborative theatrical environment - a Shakespeare, in short, who could write both to the moment and for all time.' Lukas Erne, University of Geneva

Mer från samma författare

Collected Poems of Christopher Marlowe

Marlowe, Patrick Cheney, Brian J. Striar

Häftad

2 689 kr

Early Modern English Poetry: A Critical Companion

Patrick Cheney, Andrew Hadfield

Häftad

2 689 kr

The Oxford History of Poetry in English

Catherine Bates, Patrick Cheney

Inbunden

3 139 kr

The Oxford History of Classical Reception in English Literature

Hardie Cheney, Patrick Cheney, Philip Hardie

Häftad

1 049 kr

Placing Elysium in Renaissance Britain

Patrick Cheney

Inbunden

1 799 kr

The Oxford History of Classical Reception in English Literature

HARDIE CHENEY, Patrick Cheney, Philip Hardie, Pennsylvania State University) Cheney, Patrick (Edwin Erle Sparks Professor of English and Comparative Literature, Edwin Erle Sparks Professor of English and Comparative Literature, University of Cambridge) Hardie, Philip (Senior Research Fellow and Honorary Professor of Latin Literature, Senior Research Fellow and Honorary Professor of Latin Literature, Trinity College

Inbunden

7 189 kr