Shakespeare's Language in Digital Media

Janelle Jenstad is Associate Professor in the Department of English, University of Victoria, Canada. Mark Kaethler is an English Instructor at Medicine Hat College, Canada.Jennifer Roberts-Smith is Assistant Professor and Associate Chair, Theatre and Performance in the Department of Drama and Speech Communication, University of Waterloo, Canada.

• Introduction (Jennifer Roberts-Smith) Part I Old words through new tools: re-reading Shakespeare with EEBO-TCP and LEME 1. Beyond the OED loop: digital resources and the Arden 3 Cymbeline (Valerie Wayne) 2. Shakespeare’s hard words, and our hard senses (Ian Lancashire and Elisa Tersigni) 3. Terms of art in law and herbals (Daniel Aureliano Newman) 4. "Strangers enfranchised": Shakespeare’s Hamlet and the mother tongue (Elizabeth Bernath) Part II Old words, new worlds: Shakespeare’s language in digital editions 5. Text, performance, and multidisciplinarity: on a digital edition of King Leir (Andrew Griffin) 6. A digital parallel-text approach to performance historiography (Toby Malone) Part III Olds words, new codes: Shakespeare and the language of markup 7. Storing and accessing knowledge: digital tools for the study of early modern drama (Laura Estill and Andie Silva) 8. Past texts, present tools, and future critics: toward rhetorical schematics (Michael Ullyot and Adam Bradley) 9. Internet Shakespeare Editions and the infinite (editorial) others: supporting critical tagsets for linked editions (Diane Jakacki) Afterwords: Playful provocations for editing Shakespeare’s language in digital media

Select Guide Rating