BRYAN LOUGHREY is Director of Research at Roehampton Institute, London.

• AcknowledgementsGeneral Editor's PrefaceIntroduction PART 1: EARLY CRITICISM 1687-1943On Richard III Titus Andronicus Romeo and JulietPART 2: MODERN CRITICISM Richard III and the Tudor Myth Angel with HornsThe Paradox of Power in Richard IIIActing Richard IIIThe Aesthetics of MultilationShakespeare's Earliest TragediesTitus Andronicus and Romeo and JulietStrange Images of Death Word play in Romeo and JulietThe Comic Matrix of Romeo and JulietThe Unity of Romeo and JulietSelect BibliographyNotes on ContributorsIndex.

BRYAN LOUGHREY is Director of Research at Roehampton Institute, London.

• AcknowledgementsGeneral Editor's PrefaceIntroduction PART 1: EARLY CRITICISM 1687-1943On Richard III Titus Andronicus Romeo and JulietPART 2: MODERN CRITICISM Richard III and the Tudor Myth Angel with HornsThe Paradox of Power in Richard IIIActing Richard IIIThe Aesthetics of MultilationShakespeare's Earliest TragediesTitus Andronicus and Romeo and JulietStrange Images of Death Word play in Romeo and JulietThe Comic Matrix of Romeo and JulietThe Unity of Romeo and JulietSelect BibliographyNotes on ContributorsIndex.

BRYAN LOUGHREY is Director of Research at Roehampton Institute, London.

• AcknowledgementsGeneral Editor's PrefaceIntroduction PART 1: EARLY CRITICISM 1687-1943On Richard III Titus Andronicus Romeo and JulietPART 2: MODERN CRITICISM Richard III and the Tudor Myth Angel with HornsThe Paradox of Power in Richard IIIActing Richard IIIThe Aesthetics of MultilationShakespeare's Earliest TragediesTitus Andronicus and Romeo and JulietStrange Images of Death Word play in Romeo and JulietThe Comic Matrix of Romeo and JulietThe Unity of Romeo and JulietSelect BibliographyNotes on ContributorsIndex.