Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television, and Theater at the University of Notre Dame.

• 1. Professional players in the Guild Hall, Stratford-upon-Avon, 1568–97 J. R. Mulryne; 2. Reconstructing the Rose: development of the playhouse building between 1587 and 1592 Jon Greenfield; 3. The Rose and its stages Julian M. C. Bowsher; 4. Philip Henslowe and the Elizabethan court S. P. Cerasano; 5. From revels to revelation: Shakespeare and the mask Janette Dillon; 6. Bride-ing the Shrew: costumes that matter Barbara Hodgdon; 7. 'When men and women are alone': framing the Taming in India Ruth Vanita; 8. The crown and the pillow: royal properties in Henry IV Stephen Dickey; 9. Humanity at stake: man and animal in Shakespeare's theatre Andreas Höfele; 10. Popular Shakespeare in Japan Yukari Yoshihara; 11. 'Philosophy in a gorilla suit': do Shakespeareans perform or just perform-a-tive? Sharon O'Dair; 12. Sudokothellophobia: writing hypertextually, performatively Rob Conkie; 13. Living monuments: the spatial politics of Shakespeare's Rome on the contemporary stage Bridget Escolme; 14. 'In Windsor Forest and at the Boar's Head': the 'Falstaff plays' and English music in the early twentieth century Julie Sanders; 15. Michael Bogdanov in conversation John Drakakis; 16. The mouse and the urn: re-visions of Shakespeare from Voltaire to Ducis Michèle Willems; 17. 'I covet your skull': death and desire in Hamlet Graham Holderness; 18. Martin Droeshout redivivus: reassessing the Folio engraving of Shakespeare June Schlueter; 19. Canonizing Shakespeare: The Passionate Pilgrim, England's Helicon and the question of authenticity James P. Bednarz; 20. Rereading Shakespeare: the example of Richard Brathwait Richard Abrams; 21. Shakespeare performances in England, 2006 Michael Dobson; 22. Professional Shakespeare productions in the British Isles, January–December 2005 James Shaw; The year's contribution to Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in performance Emma Smith; 3. Editions and textual studies Eric Rasmussen.