Shakespeare Studies

Nyhet

Volume 53

Inbunden, Engelska, 2025

Av Diana E. Henderson, James R. Siemon, USA) Henderson, Diana E. (Massachusetts Institute of Technology

2 239 kr

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Volume 53 of the academic journal devoted to Shakespeare and Early Modern English Drama, Culture and Literature, published annually with peer-reviewed articles, forums, and reviews.Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics, and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries but embraces theoretical and historical studies of socio-political, intellectual, and artistic contexts that extend well beyond the early modern English theatrical milieu. In addition to articles, Shakespeare Studies offers opportunities for extended intellectual exchange through its thematically focused forums and includes substantial reviews. An international editorial board maintains the quality of each volume so that Shakespeare Studies may serve as a reliable resource for all students of Shakespeare and the early modern period—for research scholars as well as teachers, actors, and directors.Volume 53 includes a Forum entitled "Marlowe Revisited: Text, Performance, Legacy" with contributions from Lucy Munro, Adam Zucker, Kerry Cooke, Hannah L. Wilson, Cecilia Lindskog Whiteley, Jade Standing, Kitamura Sae, Christine Varnado, and Lisa M. Barksdale-Shaw. And featuring contributions from the Next Generation Plenary of the Shakespeare Association of America with articles by Andrew Hiscock ("'you performe your Antique round': Taking the Measure of Tyranny for a Twenty-first Century Macbeth"); Laura Kolb ("Becoming Tricky in Measure for Measure: Isabella's Silences Revisited"); Jessica M. Rosenberg ("Two Knacks in The Winter's Tale"); Kelly Lehtonen ("Virtuous Attention: Desire, Knowledge, and Compassion in Much Ado about Nothing"); and Kelsey Ridge ("'It was a torment / To lay upon the damned': Ariel and Trauma in The Tempest"). Book reviews consider important publications: Staging Female Characters in Shakespeare's English History Plays; Shakespeare through Islamic Worlds; Generic Innovation in Shakespeare and His Contemporaries; The Bard in the Borderlands; Shakespeare's White Others; The Great White Bard; Wartime Shakespeare; and Shakespeare on the Ecological Surface.

Produktinformation

Utgivningsdatum2025-12-11
Mått152 x 229 x undefined mm
FormatInbunden
SpråkEngelska
SerieShakespeare Studies
Antal sidor368
FörlagAssociated University Presses
ISBN9781683939917

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FORUM Marlowe Revisited: Text, Performance, LegacyIntroductionLucy Munro, King’s College London, UKDesunt Nonnulla: Unfinishing Hero and LeanderAdam Zucker, University of Massachusetts Amherst, US"The closet of my heart": Letters, Secretariats, and Erotic Encryption in Edward IIKerry Cooke, Mary Baldwin University, USMarlowe's Mighty Scaffolded Line: Christopher Marlowe, Training Practices, and the Playing Companies of Elizabethan LondonHannah L. Wilson, King's College London, UK“Here have I made a dainty gallery”: Playhouse Space and Performance in The Jew of MaltaCecilia Lindskog Whiteley, Uppsala University, Sweden"And yet they thrust not home": The Swords of the Marlovian StageJade Standing, Queen's University, CanadaHow to Burn a Character on the Early Modern Stage: Fire in Dido, Queen of CarthageKitamura Sae, Trinity College Dublin, IrelandThe Extra Devil, RevisitedChristine Varnado, University at Buffalo-SUNY, US"Redress these wrongs and warn him to his ships": Slave Trade Routes, the Maltese Ship Carriere, and Marlowe's Dido, Queen of CarthageLisa M. Barksdale-Shaw, Arizona State University, USNEXT GENERATION PLENARY IntroductionCuckold Communities in the Kinky Early ModernErika Carbonara, Kalamazoo College, USThree Copies of Ovid's MetamorphosesMargaux Delaney, Cornell University, USSkin Coats and the Texture of Race in Stuart MasquesLily Freeman-Jones, Queen Mary University of London, UKCleopatra's "Immoment Toys"Arya Sureshbabu, University of California, Berkeley, USARTICLES"you perform your Antique round": Taking the Measure of Tyranny for a Twenty-First Century MacbethAndrew Hiscock, Bangor University, Wales, UKBecoming Tricky in Measure for Measure: Isabella's Silences RevisitedLaura Kolb, Baruch College, CUNY, USTwo Knacks in The Winter's TaleJessica M. Rosenberg, Cornell University, USVirtuous Attention: Desire, Knowledge, and Compassion in Much Ado about NothingKelly Lehtonen, Campbellsville University, US“It was a torment/ To lay upon the damned”: Ariel and Trauma in The TempestKelsey Ridge, Alvernia University, USREVIEWSStaging Female Characters in Shakespeare’s English History PlaysBy Hailey BachrachReviewer: Phyllis Rackin, University of Pennsylvania, USShakespeare Through Islamic WorldsBy Ambereen DadabhoyReviewer: Bernadette Andrea, University of California, Santa Barbara, USGeneric Innovation in Shakespeare and His ContemporariesBy Edward GieskesReviewer: Laurie Johnson, University of Southern Queensland, AustraliaThe Bard in the Borderlands: An Anthology of Shakespeare Appropriations En La Frontera, Volume 1 Edited by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosReviewer: Vanessa I. Corredera, Andrews University, USThe Great White Bard: How to Love Shakespeare While Talking About RaceBy Farah Karim-CooperandShakespeare’s White Others By David Sterling BrownReviewer: Joyce Green MacDonald, University of Kentucky, USWartime Shakespeare: Performing Narratives of ConflictBy Amy LidsterReviewer: Nicholas Utzig, U.S. Military Academy West Point, USShakespeare on the Ecological SurfaceBy Liz Oakley-BrownReviewer: Karen Raber, University of Mississippi, USINDEXABOUT THE EDITORS AND CONTRIBUTORS