Every generation reinvents Shakespeare for its own needs, imagining through its particular choices and emphases the Shakespeare that it values. The man himself was deeply involved in his own kind of historical reimagining. This collection of essays examines the playwright's medieval sources and inspiration, and how they shaped his works. With a foreword by Michael Almereyda (director of the Hamlet starring Ethan Hawke) and dramaturge Dakin Matthews, these thirteen essays analyze the ways in which our modern understanding of medieval life has been influenced by our appreciation of Shakespeare's plays.
Martha W. Driver is distinguished professor of English and women’s and gender studies at Pace University. Sid Ray is a professor of English and women’s and gender studies at Pace University.
Table of ContentsACKNOWLEDGMENTS FOREWORD: “THE SKELETON IN THE MIRROR”Michael Almereyda and Dakin Matthews GENERAL INTRODUCTIONMartha W. Driver and Sid Ray Part I. “Abstract and Brief Chronicles of Time”: The HistoriesINTRODUCTION TO PARTMartha W. Driver “Richard’s Himself Again”: The Body of Richard III on Stage and ScreenJim Casey Falstaff in AmericaCatherine Loomis Scoring the Fields of the Dead: Musical Styles and Approaches to Postbattle Scenes from Henry V (1944, 1989)Linda K. Schubert Part II. “Carnal, Bloody, and Unnatural Acts”: The TragediesINTRODUCTION TO PARTMartha W. Driver “We’re Everyone You Depend On”: Filming Shakespeare’s PeasantsCarl James Grindley Medieval Hamlet in PerformancePatrick J. Cook Finding Gruoch: The Hidden Genealogy of Lady Macbeth in Text and Cinematic PerformanceSid Ray Part III. “Many Merry Men”: The ComediesINTRODUCTION TO PARTSid Ray Reading A Midsummer Night’s Dream through Middle English RomanceMartha W. Driver “Chaucer ... the Story Gives”: Troilus and Cressida and The Two Noble KinsmenJulia Ruth Briggs Shakespeare’s Virgin Mother on the Modern Stage: All’s Well, That Ends Well and the Madonna del Parto TraditionGary Waller Part IV. “Tragical-Comical-Historical-Pastoral”: The RomancesINTRODUCTION TO PARTSid Ray “The Quick and the Dead”: Performing the Poet Gower in PericlesKelly Jones Shakespeare as Medievalist: What It Means for Performing PericlesR. F. Yeager A Touch of Chaucer in The Winter’s TaleLouise M. Bishop Caliban’s God: The Medieval and Renaissance Man in the MoonKim Zarins ABOUT THE CONTRIBUTORS INDEX
“fascinating...compelling”—Arthuriana; “the anthology is certainly one that scholars interested in Shakespeare on film will wish to consult”—Studies in Medieval & Renaissance Teaching.