Shakespeare and Digital Performance in Practice explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of artistry.
Erin Sullivan is Reader in Shakespeare at the Shakespeare Institute, University of Birmingham, UK. She is co-editor of Lockdown Shakespeare: New Evolutions in Performance and Adaptation (2022) and author of Beyond Melancholy: Sadness and Selfhood in Renaissance England (2016). Her research focuses on the emotional force of Shakespeare’s works, both in his own time and today.
1. Introduction.- 2. Being There.- 3. The Broadcast Stage.- 4. Mediated Performance.- 5. Born-Digital Theatre.- 6. Conclusion.- 7. In Practice - Interviews with Two Practitioners.