Sexography

Nicholas de Villiers is associate professor of English and film at the University of North Florida. He is the author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (Minnesota, 2012).

• ContentsPreface. Venus: Paris Is BurningIntroduction: How Much Does It Cost for Cinema to Tell the Truth of Sex?1. Street Talk and Love: Pasolini’s CinÉma VÉritÉ in Comizi d’amore2. Confession Porn: Wiktor Grodecki’s Body without Soul and Not Angels but Angels3. Save Us from Saviors: Reflexive Feminist Documentary and Shohini Ghosh’s Tales of the Night Fairies4. Gray Mornings of Tolerance: Cui Zi’en’s Night Scene and Queer China, “Comrade” China5. Truth under the Uniform: Youth and Sexuality in Hideaki Anno’s Love & PopConclusion. Plot Twists: Live Nude Girls, Unite!AcknowledgmentsNotesIndex

"Nicholas de Villiers’s deeply felt and sharply focused transcultural purview of documentary representations of sex work is all the more urgent at a historical moment that threatens to close down not only desire and difference but also documentary’s historical aspirations toward democracy and social justice. The critical questions he raises extend far beyond the narrow bounds of the selected films as he behooves us to join him in trying to answer them."-Thomas Waugh, Concordia University"Unlike former work focusing on prostitutes as characters in film, Nicholas de Villiers launches an entirely new discourse around the motivations, inventions, and methods of sex worker cinema in this groundbreaking book. His integration of perspectives of both non-sex-worker filmmakers and films made by sex workers is absolutely crucial. In a book that's been a long time coming, de Villiers embraces the 'whore’s eye view' of experiential makers and presents an inquiry that is central to investigations of politics, political art, and empowerment."-Carol Leigh, producer of Outlaw Poverty, Not Prostitutes"de Villiers has sought to be, as he says, “a queer ally” to sex workers - meaning that he seeks to assist in the process of destigmatization and to problematize the discourse of sex worker as victim. In a world that is dominated by anti-sex work bias, such an analysis is sorely needed."-Los Angeles Review of Books