• 1.The Actor’s Motives 2. The Actor’s Relationships 3. The Actor Prepares – For What? 4. The Theatre and the Theatres 5. The National Theatre and the Royal Shakespeare Company 6. The West End 7. The Royal Court 8. The Mermaid 9. The Regions Versus London 10. Repertory 11. The Fringe 12. Culture and the Arts Council 13. Equity and Democracy 14. The Actor’s Agent 15. The Playwright and His Agent 16. Directors 17. The Audience and Its Motives.

Original review of Günter Grass:‘…provides a careful and fascinating analysis of all of Grass’s fiction.’ Neil Ascherson, London Review of Books, Vol 7, No. 18, (1985).

• 1.The Actor’s Motives 2. The Actor’s Relationships 3. The Actor Prepares – For What? 4. The Theatre and the Theatres 5. The National Theatre and the Royal Shakespeare Company 6. The West End 7. The Royal Court 8. The Mermaid 9. The Regions Versus London 10. Repertory 11. The Fringe 12. Culture and the Arts Council 13. Equity and Democracy 14. The Actor’s Agent 15. The Playwright and His Agent 16. Directors 17. The Audience and Its Motives.

Original review of Günter Grass:‘…provides a careful and fascinating analysis of all of Grass’s fiction.’ Neil Ascherson, London Review of Books, Vol 7, No. 18, (1985).

• 1.The Actor’s Motives 2. The Actor’s Relationships 3. The Actor Prepares – For What? 4. The Theatre and the Theatres 5. The National Theatre and the Royal Shakespeare Company 6. The West End 7. The Royal Court 8. The Mermaid 9. The Regions Versus London 10. Repertory 11. The Fringe 12. Culture and the Arts Council 13. Equity and Democracy 14. The Actor’s Agent 15. The Playwright and His Agent 16. Directors 17. The Audience and Its Motives.

Original review of Günter Grass:‘…provides a careful and fascinating analysis of all of Grass’s fiction.’ Neil Ascherson, London Review of Books, Vol 7, No. 18, (1985).