Trained in Italy, Greece, and the United States, Brunilde Sismondo Ridgway taught for over 35 years at Bryn Mawr College, and at other universities in the U.S. and abroad, receiving the Gold Medal of the Archaeological Institute of America for Distinguished Achievement. A pupil of Rhys Carpenter, she has devoted all her writing to Greek sculpture.

• The West Frieze of the Siphnian TreasuryThe East Pediment of the Siphnian TreasuryTwo Peplophoroi in the United StatesThe Man-and-Dog StelaiA Story of Five AmazonsThe Amazon's Belt: an Addendum to a Story of Five AmazonsThe Plataian Tripod and the Serpentine ColumnThe Peplos Kore, Akropolis 679Of Kouroi and Korai, Attic VarietyCourt Art and Hellenistic Art: The Role of Alexander the GreatThe Gauls in SculptureThe Fashion of the Elgin KoreThe Riace Bronzes: A Minority ViewpointLate Archaic SculptureThe "Nike of Archermos" and her AttireThe Bronzes from the Porticello WreckMusings on the MusesDefining the Issue: The Greek PeriodLeto and the ChildrenBirds, "Meniskoi" and Head Attributes in Archaic GreeceMetal Attachments in Greek Marble SculptureParthenon and ParthenosArchaic Architectural Sculpture and Travel MythsGreek Sculpture as Archaeological EvidenceAristonautes' Stele, Athens Nat. Mus. 738The Porticello Bronzes Revisited"Paene ad exemplum": Polykleitos' Other WorksThe Severe Style: Updating the IssueThe Farnese Bull (Punishment of Dirke) from the Baths of Caracalla: how many prototypes?A Goddess in PhiladelphiaAn Issue of Methodology: Anakreon, Perikles, XanthipposThe Puschkin Stele from TamanSome Personal Thoughts on the KnidiaThe Laokoon in Hellenistic SculptureAdditional NotesIndex

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