I know now, Kostya, I understand that in our work - doesn't matter whether it's acting or writing - what's important isn't fame or glamour, none of the things I used to dream about, it's the ability to endure.The Seagull is one of the great plays about writing. It superbly captures the struggle for new forms, the frustrations and fulfilments of putting words on a page. Chekhov, in his first major play, staged a vital argument about the theatre which still resonates today. Christopher Hampton's new version of this classic, directed by Ian Rickson in his last production as Artistic Director of the Royal Court Theatre, London, premiered in January 2007.

Produktinformation

Utgivningsdatum2007-01-18
Mått108 x 9 x 187 mm
Vikt125 g
FormatHäftad
SpråkEngelska
SerieFaber & Faber
Antal sidor96
FörlagFaber & Faber
ISBN9780571237357
ÖversättareChristopher Hampton

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Teater inom Kultur

Anton Chekhov, Russian dramatist and short-story writer, was born in 1860, the son of a grocer and the grandson of a serf. After graduating in medicine from Moscow University in 1884, he began to make his name in the theatre with the one-act comedies The Bear, The Proposal and The Wedding. His earliest full-length plays, Ivanov (1887) and The Wood Demon (1889), were not successful, and The Seagull, produced in 1896, was a failure until a triumphant revival by the Moscow Art Theatre in 1898. This was followed by Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904), shortly after the production of which Chekhov died. The first English translations of his plays were performed within five years of his death. Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother?, at the age of eighteen. Since then, his plays have included The Philanthropist, Savages, Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon, The Talking Cure, Appomattox and A German Life. Appomattox was turned into an opera by Philip Glass in 2014. He has translated plays by Ibsen, Molière, von Horváth, Chekhov and Yasmina Reza (including Art and Life x 3). He has translated seven plays by Florian Zeller, including The Father and The Son, both of which he subsequently co-wrote for the screen with Florian Zeller, winning an Oscar for Best Adapted Screenplay for The Father in 2021. Musicals include Rebecca, Stephen Ward, Sunset Boulevard and The Third Man. His television work includes adaptations of The History Man, Hôtel du Lac and The Singapore Grip. His screenplays include The Honorary Consul, The Good Father, Dangerous Liaisons, Mary Reilly, Total Eclipse, The Quiet American, Atonement, Cheri, A Dangerous Method, Ali & Nino, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed.