Sculptural Body in Victorian Literature

Encrypted Sexualities

Häftad, Engelska, 2022

Av Patricia Pulham, University of Surrey) Pulham, Patricia (Professor of Victorian Literature

389 kr

Skickas måndag 17/11

Fri frakt för medlemmar vid köp för minst 249 kr.

Finns i fler format (1)

Inbunden

1 629 kr

Skickas måndag 17/11

This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love.

Produktinformation

Utgivningsdatum2022-08-25
Mått156 x 234 x 23 mm
Vikt358 g
FormatHäftad
SpråkEngelska
SerieEdinburgh Critical Studies in Victorian Culture
Antal sidor240
FörlagEdinburgh University Press
ISBN9781399504591

Tillhör följande kategorier

Litteraturvetenskap inom Skonlitteratur

Patricia Pulham is Professor of Victorian Literature at the University of Surrey and editor of the EUP journal, Victoriographies. Her research focuses on Victorian literature, culture and the visual arts, and she has published widely on a range of nineteenth-century authors. She joined the University of Surrey in 2017 where she is Director of Research in the School of Literature and Languages and teaches modules on the Victorian fin-de-siècle and neo-Victorian literature.

The Sculptural Body in Victorian Literature is a pertinently thought-provoking text. Its contents are thoroughly researched and productively interdisciplinary, and I do not doubt that the book will prove highly useful to those researching in gender and sexuality studies, museum studies, and nineteenth-century literature and art history for many years to come. Moving forward, I hope that relevant scholars will begin to work on answering Pulham’s concluding call for more research to be undertaken into instances where literature, sculpture, race, and/or national identity intersect.