In Cold War Romania, the Jewish State Theater in Bucharest (TES) was a site for high-stakes cultural negotiations. While the state used the theater to consolidate Yiddish stagecraft into a tool for state propaganda, a more nuanced story unfolded behind the scenes: TES was also a vehicle for preserving and advancing Yiddish culture within the confines of a socialist state. This book focuses on five commemorative volumes published between 1956 and 1976 by editors who were Shoah survivors—individuals uniquely torn between their passion for Yiddish culture and the communist ideal. By analyzing these volumes, the study reveals the hidden ideological tensions and cultural ambitions embedded within the theater's operations and provides a rare window into the struggle to maintain a distinctive Jewish identity while navigating the rigid political realities of the time. It is a compelling look at the editorial strategies used to safeguard a vanishing heritage.
Corina L. Petrescu is a professor of German at the University of Mississippi. She is the author or co-editor of several books, including Cold War Spy Stories from Eastern Europe.
ContentsPrefaceA Note on Transliterations, Translations, and Biographical DatesList of Terms and AbbreviationsIntroductionChapter 1 TES in the Files of Romania's Secret Police Chapter 2 Professional Yiddish Theater's Eightieth AnniversaryChapter 3 TES Turns TwentyChapter 4 A Quarter Century of State Sponsorship for TES and a Century of Professional Yiddish Theater in the WorldConclusionAppendix: Interview with Andrei Munteanu, TES Manager, from May 19, 2025NotesBibliographyIndex