Screens

Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE.

• Editorial Acknowledgments Introduction: Dominique Chateau, José Moure. Section One: Archeology/History 1. "Rectangle-Film" (1918), Emmanuele Toddi [Pietro silvio Rivetta] 2. "Intersections of Protection and Display in the History of the Screen", Giorgio Avezzù 3. "The Stuff of Screens", Ian Christie 4. "History of screening", José Moure Section Two: Technology and new practices 1. "Scaling Down: Cinerama on Blu-ray", Ariel Rogers 2. "From the augmented body to the somatic image", Richard Bégin 3. "Screenic touching and screenic seeing", Wanda Strauven 4. "3D screen in theater space", Simon Lefebvre Section Three: Theory 1. "From Screen-scape to Screen-sphere": A Meditation in Medias Res", Vivan Sobchack 2. ???, Raymond Bellour 3. "La notion d'écran mental. Écran intériorisé, écran rêvé, écran construit", Roger Odin 4. "Between denial and fascination : screen attraction", Dominique Chateau TBC. Salvador Rubio Marco TBC. Erkki Huhtamo TBC. Nanna Verhoeff Section Four: Dialogues Laura Marks in conversation Martine Beugnet & Annie van den Oever in conversation?? Laura Mulvey on so-called "screen theory" Notes General Bibliography Notes on Contributors Index of Names Index of Film Titles Index of Subjects

'In 1922 Élie Faure defined the screen as a simple "material accessory". This book reverses that dismissal, devoting to the screen the attention that it deserves. Thanks to a philosophical, historical and phenomenological exploration, it casts new light on what cinema was and is, and on the multifaceted terrain in which it operates' - Prof. dr. Francesco Casetti, Yale University 'Everything you wanted to know about screens, you will find in Chateau and Moure's thorough and extensive anthology, which counts on the research of a broad collection of international experts. Examining the screen from every direction, in the midst of traditional boundaries falling apart, the volume offers a unique, scholarly perspective that takes the materiality of media (and screens) into account. Well seized, considering these questions are now at the forefront of research within our academic community!' - Prof. dr. André Gaudreault, Canada Research Chair in Cinema and Media Studies, Université de Montréal.