Screening The Sacred

Religion, Myth, And Ideology In Popular American Film

Häftad, Engelska, 1995

AvJoel Martin,Conrad E. Ostwalt Jr.,Conrad E Ostwalt Jr

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What are the religious impulses in the 1976 film Rocky, and how can they work to shape one's social identity? Do the films Alien and Aliens signify the reemergence of the earth goddess as a vital cultural power? What female archetypes, borne out of male desire, inform the experience of women in Nine and a Half Weeks?These are among the several compelling questions the authors of this volume consider as they explore the way popular American film relates to religion. Oddly, religion and film?two pervasive elements of American culture?have seldom been studied in connection with each other. In this first systematic exploration, the authors look beyond surface religious themes and imagery in film, discovering a deeper, implicit presence of religion. They employ theological, mythological, and social and political criticism to analyze the influence of religion, in all its rich variety and diversity, on popular film. Perhaps more importantly, they consider how the medium of film has helped influence and shape American religious culture, secular or otherwise.More than a random collection of essays, this volume brings to the study of religion and film a carefully constructed analytic framework that advances our understanding of both. Screening the Sacred provides fresh and welcome insight to film criticism; it also holds far-reaching relevance for the study of religion. Progressive in its approach, instructive in its analyses, this book is written for students, scholars, and other readers interested in religion, popular film, and the impact of each on American culture.

Produktinformation

Utgivningsdatum1995-03-30
Mått152 x 229 x 11 mm
Vikt300 g
FormatHäftad
SpråkEngelska
Antal sidor208
FörlagTaylor & Francis Inc
ISBN9780813388304

Tillhör följande kategorier

Film inom Kultur
Kulturvetenskap inom Samhälle och politik

Joel W. Martin is associate professor of American studies and religious studies at Franklin and Marshall College. He is the author of Sacred Revolt: The Muskogees' Struggle for a New World. Conrad E. Ostwalt Jr. is associate professor of religious studies at Appalachian State University. He is the author of After Eden: The Secularization of American Space in the Fiction of Willa Cather and Theodore Dreiser. Joel W. Martin is associate professor of American studies and religious studies at Franklin and Marshall College. He is the author of Sacred Revolt: The Muskogees' Struggle for a New World. Conrad E. Ostwalt Jr. is associate professor of religious studies at Appalachian State University. He is the author of After Eden: The Secularization of American Space in the Fiction of Willa Cather and Theodore Dreiser.

Preface -- Introduction: Seeing the Sacred on the Screen -- Theological Criticism -- Shall These Bones Live? The Problem of Bodies in Alfred Hitchcock’s Psycho and Joel Coen’s Blood Simple -- Angels in the Primum Mobile: Dimensions of the Sacred in William Kennedy’s Ironweed, Novel and Film -- The Christian Allegorical Structure of Platoon -- Hollywood and Armageddon: Apocalyptic Themes in Recent Cinematic Presentation -- Mythological Criticism -- Star Wars: A Myth for Our Time -- With Eyes Uplifted: Space Aliens as Sky Gods -- Evolution of “The New Frontier” in Alien and Aliens: Patriarchal Co-optation of the Feminine Archetype -- Ideological Criticism -- Redeeming America: Rocky as Ritual Racial Drama -- From Revelation to Dream: Allegory in David Lynch’s Blue Velvet -- Women Spoken For: Images of Displaced Desire -- Conclusion: Religion, Film, and Cultural Analysis