Screening Justice

Steven Kohm is an associate professor at the University of Winnipeg.Sonia Bookman is an assistant professor of sociology at the University of Manitoba.Pauline Greenhill is a professor at the University of Winnipeg.

• : Contributors: Preface and Acknowledgements: Ideology, Popular Criminology and Place in Canadian Crime Films (Steven A. Kohm, Sonia Bookman & Pauline Greenhill): Part 1: Place and community: Borders, Frontiers and Boundaries: The Wild (North) West: Chinese Immigration, Crime and the Canadian Border in Film (Philippa Gates): Show Your Face; Racialization of War Crimes in the NFB’s “The Mask of Nippon” (1942) (Chikako Nagayama): A History of Settlement Ten Years Later: Revisiting Cronenberg’s “A History of Violence” (Richard Jochelson): Rogues with a Room of Their Own: Comedy and the Promise of Restorative Justice in Newfoundland Film (John Hoben): The Mean Streets of Winnipeg: Entanglements of Crime and Place (Sonia Bookman and James Gacek): Contested Communities: Nathaniel Geary’s “On the Corner” and the Social Construction of Deviant Places (Alicia Horton): Part 2: Genres and Genders: The Seductions, Productions and Consumption of Crime: Bon Cop, Bad Cop: Fighting Crime across the Two Solitudes (Andrea Braithwaite): Shooting Gansters in the Great White North (Anita Lam): Death Hunt: The Mounties Meet the Conspiracy Thriller (Greg Marquis): Cronaca Noir: The Circulation and Production of Italian Crime Films in Quebec in the 1970s (Nick Shaw): Evil Has a Beautiful Face: Exploitation Within and Beyond the Narrative of Joel Bender’s “Karla” (Daniel Sacco and Vincent F. Sacco): Le Piège d’Issoudun: Fairy-Tale Murder (Pauline Greenhill): Part 3: Criminology and Criminal Justice: Etiology, Institutions and the Law: “I want you to live by the justice code”: Prisonization and Carceral Regimes in the films of Clement Virgo (Andrea Medovarski): Roxie Hart Wasn’t Welcome in Winnipeg: Film Censorship, Nationalism and Hegemony in Manitoba, 1916-1950 (George Buri): “The Great Canadian Mystery”: Cinematic Representations of the Death of Tom thomson and the Manufacuture of Signal Crime (Adie Nelson and Joshua Nelson)s: “Grab Some Wall”: “A Man in Uniform”, Metropolitan Toronto and the Fog of the Street (Michael Arntfield): Reconciliation and Justice in Zacharias Kunuk’s “Atanarjuat: The Fast Runner” (Anne Brydon): Index