MATTHEW H. BERNSTEIN is professor, chair, and director of graduate studies in the Film Studies Department at Emory University. He is author or editor of four books, including John Ford Made Westerns: Filming the Legend in the Sound Era and Walter Wanger, Hollywood Independent.

Matthew Bernstein's Screening a Lynching is an impeccably researched and consistently enlightening inquiry into the media backfire from a notorious instance of a commonplace practice—the lynching in 1915 of the convicted rapist-murderer Leo Frank, a Jew from New York, by a mob of outraged Georgians. A marvelously synoptic work of cultural history that illuminates issues of race, ethnicity, religion, law, and cinematic representation (to name a few), Bernstein's penetrating study offers unique insights into a case that continues to haunt the American imagination.

MATTHEW H. BERNSTEIN is professor, chair, and director of graduate studies in the Film Studies Department at Emory University. He is author or editor of four books, including John Ford Made Westerns: Filming the Legend in the Sound Era and Walter Wanger, Hollywood Independent.

Matthew Bernstein's Screening a Lynching is an impeccably researched and consistently enlightening inquiry into the media backfire from a notorious instance of a commonplace practice—the lynching in 1915 of the convicted rapist-murderer Leo Frank, a Jew from New York, by a mob of outraged Georgians. A marvelously synoptic work of cultural history that illuminates issues of race, ethnicity, religion, law, and cinematic representation (to name a few), Bernstein's penetrating study offers unique insights into a case that continues to haunt the American imagination.

MATTHEW H. BERNSTEIN is professor, chair, and director of graduate studies in the Film Studies Department at Emory University. He is author or editor of four books, including John Ford Made Westerns: Filming the Legend in the Sound Era and Walter Wanger, Hollywood Independent.

Matthew Bernstein's Screening a Lynching is an impeccably researched and consistently enlightening inquiry into the media backfire from a notorious instance of a commonplace practice—the lynching in 1915 of the convicted rapist-murderer Leo Frank, a Jew from New York, by a mob of outraged Georgians. A marvelously synoptic work of cultural history that illuminates issues of race, ethnicity, religion, law, and cinematic representation (to name a few), Bernstein's penetrating study offers unique insights into a case that continues to haunt the American imagination.