Del 15 - Studies in Religion and the Arts

Scorsese and Religion

Inbunden, Engelska, 2019

Av Christopher B. Barnett, Clark J. Elliston, Christopher B Barnett, Clark J Elliston

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Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art.

Produktinformation

Utgivningsdatum2019-09-19
Mått155 x 235 x 25 mm
Vikt670 g
FormatInbunden
SpråkEngelska
SerieStudies in Religion and the Arts
Antal sidor322
FörlagBrill
ISBN9789004411371

Tillhör följande kategorier

Film inom Kultur
Religion: allmänt inom Filosofi och religion
Kristendom inom Filosofi och religion

Christopher B. Barnett, D.Phil. (Oxford, 2008), is Associate Professor in the Department of Theology and Religious Studies at Villanova University, USA. In addition to numerous articles and book chapters, he has published three monographs, including Kierkegaard and the Question Concerning Technology (Bloomsbury Academic, 2019).Clark J. Elliston, D.Phil. (Oxford, 2012) is Assistant Professor of Religion and Philosophy at Schreiner University, USA. Interested in the intersection of Christian theology, culture, and technology, he is the author of Dietrich Bonhoeffer and the Ethical Self (Fortress, 2016).Contributors are: Christopher B. Barnett, Rhonda Burnette-Bletsch, Guerric DeBona, Mark Dennis, Clark J. Elliston, M. Gail Hamner, D. Stephen Long, Gerard Loughlin, John McAteer, Darren J.N. Middleton, Stephen Mulhall, Cari Myers, Marc Raymond, Kerry San Chirico

Acknowledgements List of IllustrationsNotes on Contributors IntroductionChristopher B. Barnett and Clark J. EllistonPart 1: Scorsese and Catholicism1 The Catholic Scorsese – or How a Seminarian Turned to the MoviesMarc Raymond2 No Way Out: Martin Scorsese and the Ecclesial ImaginationGuerric DeBona,osbPart 2: Religious Influences and Themes in Scorsese’s Cinema3 Dostoevskian Elements in Scorsese’s CinemaChristopher B. Barnett4 The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic HeroJohn McAteer5 Violence and Redemption in Scorsese’s Films: A Girardian ReadingCari Myers6 Scorsese as a Critic of Modernity: The Woman QuestionM. Gail HamnerPart 3: Scorsese and Religion: A Selective Filmography7 The Last Temptation of Christ: Scorsese’s Jesus among Ordinary SaintsRhonda Burnette-Bletsch8 Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan DharmaKerry P.C. San Chirico9 Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the DeadGerard Loughlin10 Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter IslandStephen Mulhall11 Reinventing Human Experience: Hugo and the Theological Possibilities of FilmClark J. Elliston12 The Wolf of Wall Street and Economic NihilismD. Stephen Long13 The Global Afterlives of SilenceDarren J.N. Middleton and Mark W. DennisIndex of Bible ReferencesIndex of Names and Subjects