Lydia Jones, M.A., is a research associate and lecturer at Freie Universität Berlin. Her research interests lie in the overlap between medieval and modern German literature as embodied by 18th- and 19th-century scholarly editions of Middle High German works.Bodo Plachta, Dr. phil. is co-editor of the International Yearbook of Scholarly Editing, edition, and president of the “Arbeitsgemeinschaft für germanistische Edition”. Together with Rüdiger Nutt-Kofoth he is editor of the series „Bausteine zur Geschichte der Edition“.Gaby Pailer, Dr. phil. is Professor of Germanic Studies at the Department of Central, Eastern and Northern European Studies, University of British Columbia. Recent publications include monographs on and editions of 18th- and 19th-century women authors and edited anthologies.Catherine Karen Roy, Ph.D. is an English language instructor at the English Language Institute of King Abdulaziz University’s Women’s Main Campus in Jeddah, Saudi Arabia. Her research interests include the teaching and acquisition of languages and autobiography studies.

• PrefaceIntroductionHow International is Scholarly Editing? A Look at its HistoryBodo PlachtaI. Material and Extralinguistic Elements and the Construction of MeaningDas Heilige verstehen, erfahren und erkennen. Die spätmittelalterliche Legende Christophorus C im ÜberlieferungskontextJohannes TraulsenEmphasis Added: Friedrich Heinrich von der Hagen’s Romantic Philology, Typeface Change and the Heldenbuch an der Etsch 1836-1900Lydia JonesSpace as Sign: Material Aspects of Letters and Diaries and their Editorial RepresentationRüdiger Nutt-KofothBringing the Background into Focus: Reading the Linguistic and Bibliographic Codes in Yoko Tawada’s Das BadJeremy RedlichII. The Process of Editing and Editing ProcessA Song of Selves: Reinmar der Alte, Mouvance, and Poetic PersonaeKenneth FockeleWie ediert man einen Überlieferungsprozess? Überlegungen zur Edition von deutschsprachigen Prosaromanen des 15. und 16. Jahrhunderts Peter BaltesDrostes Kryptographien: Editionsprobleme des Geistlichen JahresClaudia Liebrand/Thomas WortmannWissenschaftliches Edieren in der deutschsprachigen Literatur des 18. Jahrhunderts am Beispiel Johann Heinrich Mercks: Prozesse und HerausforderungenUlrike LeuschnerIII. Edition and CommentaryFish and Queens: The new Edition of Friedrich Schiller’s tragedy Maria StuartNikolas ImmerZeitschriftenedition mit Kommentar: Schillers Thalia (1785-1791)Monika Lemmel“Im Traum sah ich ein dickes schön gedrucktes und gebundnes Buch...” – Zur Edition von Charlotte Schillers Literarischen Schriften mit besonderem Blick auf ihr historisches Schauspiel "Elisabeth"Gaby Pailer/Melanie KageIV. Editing and Similar Second-Order Processes and Textual CreationÜbersetzungen als Interpretationen mittelhochdeutscher Literatur.Überlegungen zu Verständnismöglichkeiten von Strickers Kurzerzählung Der kluge KnechtNina NowakowskiConstructing Socialist Identities: The Reception of Albrecht Dürer in East GermanyElizabeth NijdamV. Edition and Canon(ization)Textual Scholarship and Canon FormationAnnika Rockenberger“Canonise”, “Canonised”, “Canonisation” etc.: Some Remarks on TerminologyPer RöckenIndex

Lydia Jones, M.A., is a research associate and lecturer at Freie Universität Berlin. Her research interests lie in the overlap between medieval and modern German literature as embodied by 18th- and 19th-century scholarly editions of Middle High German works.Bodo Plachta, Dr. phil. is co-editor of the International Yearbook of Scholarly Editing, edition, and president of the “Arbeitsgemeinschaft für germanistische Edition”. Together with Rüdiger Nutt-Kofoth he is editor of the series „Bausteine zur Geschichte der Edition“.Gaby Pailer, Dr. phil. is Professor of Germanic Studies at the Department of Central, Eastern and Northern European Studies, University of British Columbia. Recent publications include monographs on and editions of 18th- and 19th-century women authors and edited anthologies.Catherine Karen Roy, Ph.D. is an English language instructor at the English Language Institute of King Abdulaziz University’s Women’s Main Campus in Jeddah, Saudi Arabia. Her research interests include the teaching and acquisition of languages and autobiography studies.

• PrefaceIntroductionHow International is Scholarly Editing? A Look at its HistoryBodo PlachtaI. Material and Extralinguistic Elements and the Construction of MeaningDas Heilige verstehen, erfahren und erkennen. Die spätmittelalterliche Legende Christophorus C im ÜberlieferungskontextJohannes TraulsenEmphasis Added: Friedrich Heinrich von der Hagen’s Romantic Philology, Typeface Change and the Heldenbuch an der Etsch 1836-1900Lydia JonesSpace as Sign: Material Aspects of Letters and Diaries and their Editorial RepresentationRüdiger Nutt-KofothBringing the Background into Focus: Reading the Linguistic and Bibliographic Codes in Yoko Tawada’s Das BadJeremy RedlichII. The Process of Editing and Editing ProcessA Song of Selves: Reinmar der Alte, Mouvance, and Poetic PersonaeKenneth FockeleWie ediert man einen Überlieferungsprozess? Überlegungen zur Edition von deutschsprachigen Prosaromanen des 15. und 16. Jahrhunderts Peter BaltesDrostes Kryptographien: Editionsprobleme des Geistlichen JahresClaudia Liebrand/Thomas WortmannWissenschaftliches Edieren in der deutschsprachigen Literatur des 18. Jahrhunderts am Beispiel Johann Heinrich Mercks: Prozesse und HerausforderungenUlrike LeuschnerIII. Edition and CommentaryFish and Queens: The new Edition of Friedrich Schiller’s tragedy Maria StuartNikolas ImmerZeitschriftenedition mit Kommentar: Schillers Thalia (1785-1791)Monika Lemmel“Im Traum sah ich ein dickes schön gedrucktes und gebundnes Buch...” – Zur Edition von Charlotte Schillers Literarischen Schriften mit besonderem Blick auf ihr historisches Schauspiel "Elisabeth"Gaby Pailer/Melanie KageIV. Editing and Similar Second-Order Processes and Textual CreationÜbersetzungen als Interpretationen mittelhochdeutscher Literatur.Überlegungen zu Verständnismöglichkeiten von Strickers Kurzerzählung Der kluge KnechtNina NowakowskiConstructing Socialist Identities: The Reception of Albrecht Dürer in East GermanyElizabeth NijdamV. Edition and Canon(ization)Textual Scholarship and Canon FormationAnnika Rockenberger“Canonise”, “Canonised”, “Canonisation” etc.: Some Remarks on TerminologyPer RöckenIndex

Lydia Jones, M.A., is a research associate and lecturer at Freie Universität Berlin. Her research interests lie in the overlap between medieval and modern German literature as embodied by 18th- and 19th-century scholarly editions of Middle High German works.Bodo Plachta, Dr. phil. is co-editor of the International Yearbook of Scholarly Editing, edition, and president of the “Arbeitsgemeinschaft für germanistische Edition”. Together with Rüdiger Nutt-Kofoth he is editor of the series „Bausteine zur Geschichte der Edition“.Gaby Pailer, Dr. phil. is Professor of Germanic Studies at the Department of Central, Eastern and Northern European Studies, University of British Columbia. Recent publications include monographs on and editions of 18th- and 19th-century women authors and edited anthologies.Catherine Karen Roy, Ph.D. is an English language instructor at the English Language Institute of King Abdulaziz University’s Women’s Main Campus in Jeddah, Saudi Arabia. Her research interests include the teaching and acquisition of languages and autobiography studies.

• PrefaceIntroductionHow International is Scholarly Editing? A Look at its HistoryBodo PlachtaI. Material and Extralinguistic Elements and the Construction of MeaningDas Heilige verstehen, erfahren und erkennen. Die spätmittelalterliche Legende Christophorus C im ÜberlieferungskontextJohannes TraulsenEmphasis Added: Friedrich Heinrich von der Hagen’s Romantic Philology, Typeface Change and the Heldenbuch an der Etsch 1836-1900Lydia JonesSpace as Sign: Material Aspects of Letters and Diaries and their Editorial RepresentationRüdiger Nutt-KofothBringing the Background into Focus: Reading the Linguistic and Bibliographic Codes in Yoko Tawada’s Das BadJeremy RedlichII. The Process of Editing and Editing ProcessA Song of Selves: Reinmar der Alte, Mouvance, and Poetic PersonaeKenneth FockeleWie ediert man einen Überlieferungsprozess? Überlegungen zur Edition von deutschsprachigen Prosaromanen des 15. und 16. Jahrhunderts Peter BaltesDrostes Kryptographien: Editionsprobleme des Geistlichen JahresClaudia Liebrand/Thomas WortmannWissenschaftliches Edieren in der deutschsprachigen Literatur des 18. Jahrhunderts am Beispiel Johann Heinrich Mercks: Prozesse und HerausforderungenUlrike LeuschnerIII. Edition and CommentaryFish and Queens: The new Edition of Friedrich Schiller’s tragedy Maria StuartNikolas ImmerZeitschriftenedition mit Kommentar: Schillers Thalia (1785-1791)Monika Lemmel“Im Traum sah ich ein dickes schön gedrucktes und gebundnes Buch...” – Zur Edition von Charlotte Schillers Literarischen Schriften mit besonderem Blick auf ihr historisches Schauspiel "Elisabeth"Gaby Pailer/Melanie KageIV. Editing and Similar Second-Order Processes and Textual CreationÜbersetzungen als Interpretationen mittelhochdeutscher Literatur.Überlegungen zu Verständnismöglichkeiten von Strickers Kurzerzählung Der kluge KnechtNina NowakowskiConstructing Socialist Identities: The Reception of Albrecht Dürer in East GermanyElizabeth NijdamV. Edition and Canon(ization)Textual Scholarship and Canon FormationAnnika Rockenberger“Canonise”, “Canonised”, “Canonisation” etc.: Some Remarks on TerminologyPer RöckenIndex