Saint Sebastian's Abyss

Mark Haber is the author of the 2008 story collection Deathbed Conversions and the novel Reinhardt’s Garden, longlisted for the 2020 PEN/Hemingway Award. He is the operations manager at Brazos Bookstore in Houston, Texas. His nonfiction has appeared in the Rumpus, Music & Literature, and LitHub. His fiction has appeared in Southwest Review and Air/Light.

Praise for Saint Sebastian's AbyssA New York Times Book Review Editor’s ChoiceA New York Public Library Best Book of 2022A May Indie Next PickA Publishers Weekly 2022 Summer ReadA Literary Hub Favorite Book of 2022“What is it about art that can move us to extremes? This absurdist take on very serious people hazards a guess.” —The New York Times, Editor’s Choice“A meditation on art that meticulously builds a fictional painter's world and critical legacy, only to playfully yet ruthlessly tear it all down. This tale of two art historical frenemies traces an apocalyptic obsession that circumscribes every waking moment of their lives.” —New York Public Library“[A] sparkling comic novel. . . . Schmidt is one of Haber’s keenest inventions.” —Jackson Arn, The New York Times“Taut as a drum, [Saint Sebastian’s Abyss] also calls to mind the early novellas of Roberto Bolaño and reads, at times, like an outtake from William Gaddis’s The Recognitions.” —Andrew Ervin, The Brooklyn Rail“Haber relishes opportunities to tip sacred cows. . . . His critics feel so richly realized that one could be excused for Googling ‘Saint Sebastian’s Abyss’ to glimpse at a canvas that only exists in the book.” —Andrew Dansby, The Houston Chronicle“In sinuous, recursive sentences infused with equal parts reverence and venom, Haber constructs a darkly parodic portrait of aesthetic devotion and intellectual friendship, in which the redemptive practice of collaborative interpretation becomes a cage that two egos relentlessly rattle.” —Nathan Goldman, Jewish Currents“A delightful and dizzying excursion into the relationship between art and criticism, and all the ways that we often deceive ourselves about the things and people we love.” —David L. Ulin, Alta Journal“It’s not only a farce about ill-placed obsessions—this novel, short as it is, asks profound questions about the nature and value of art and art criticism, and also manages to be a moving account of a friendship.” —Emily Temple, Literary Hub"Saint Sebastian’s Abyss feels exactly like the description of the painting—deceitfully small in scale, containing a cosmic abyss at its center.” —Hernan Diaz“A brilliantly sustained performance: clever, droll and entrancing. Mark Haber creates something entirely new, and greatly impressive, within the Bernhardian universe.” —Chloe Aridjis"In Saint Sebastian’s Abyss, we are swept away by the hilarious and misguided preoccupations of two compulsive pedants, a comedy duo, whose misadventures are as irresistible as they are outrageous.” —Rikki Ducornet“An absolute delight, and Haber’s love of writing comes through on every page.” —Idra Novey“A fantastic tale of the glories and tribulations of chasing an ecstatic relationship to art.” —Matt Bell“What a wonderful, short shock of a novel this is. Funny, dark, strange, gothic, and beautiful—an extraordinary journey through three broken lives.” —Edward Carey“With exuberant wit and a superb array of fine-edged paradoxes, Mark Haber flays art of its pieties and pretensions, and when the cutting’s done, he has us look to see if anything’s left.” —Adam Sachs