Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author of two books on Russian actor training, Vsevolod Meyerhold and Science and the Stanislavsky Tradition of Acting. He has taught masterclasses on Russian actor training at the RSC and in Tokyo, Malta and Shanghai and is the founding co-editor of the Routledge journal Theatre, Dance and Performance Training.

• Contents Frontispiece i List of Illustrations: ii Notes on Contributors: iv Acknowledgements: vi Introduction: The Mechanics of Tradition-making 1 Jonathan Pitches Chapter 1: A Tradition in Transition: Komisarjevsky’s Seduction of the British theatre 14 Jonathan Pitches Chapter 2: Stanislavsky’s Passage into the British Conservatoire 44 David Shirley Chapter 3: Michael Chekhov and the Studio in Dartington: The Re-membering of a Tradition 74 Jerri Daboo Chapter 4: Riding the Waves: Uncovering Biomechanics in Britain 102 Amy Skinner Chapter 5: 'Who is Skivvy?' The Russian Influence on Theatre Workshop 131 Robert Leach Chapter 6: Shared Utopias? Lev Dodin, Alan Lyddiard and the Northern Stage Ensemble 164 Duška Radosavljevic? Chapter 7: Re-visioned Directions: Stanislavsky in the 21st Century 198 Bella Merlin and Katya Kamotskaya Conclusion: A Common Theatre History? The Russian Tradition in Britain today: Declan Donnellan, Katie Mitchell and Michael Boyd 229 Jonathan Pitches Index: 252

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Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author of two books on Russian actor training, Vsevolod Meyerhold and Science and the Stanislavsky Tradition of Acting. He has taught masterclasses on Russian actor training at the RSC and in Tokyo, Malta and Shanghai and is the founding co-editor of the Routledge journal Theatre, Dance and Performance Training.

• Contents Frontispiece i List of Illustrations: ii Notes on Contributors: iv Acknowledgements: vi Introduction: The Mechanics of Tradition-making 1 Jonathan Pitches Chapter 1: A Tradition in Transition: Komisarjevsky’s Seduction of the British theatre 14 Jonathan Pitches Chapter 2: Stanislavsky’s Passage into the British Conservatoire 44 David Shirley Chapter 3: Michael Chekhov and the Studio in Dartington: The Re-membering of a Tradition 74 Jerri Daboo Chapter 4: Riding the Waves: Uncovering Biomechanics in Britain 102 Amy Skinner Chapter 5: 'Who is Skivvy?' The Russian Influence on Theatre Workshop 131 Robert Leach Chapter 6: Shared Utopias? Lev Dodin, Alan Lyddiard and the Northern Stage Ensemble 164 Duška Radosavljevic? Chapter 7: Re-visioned Directions: Stanislavsky in the 21st Century 198 Bella Merlin and Katya Kamotskaya Conclusion: A Common Theatre History? The Russian Tradition in Britain today: Declan Donnellan, Katie Mitchell and Michael Boyd 229 Jonathan Pitches Index: 252

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Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author of two books on Russian actor training, Vsevolod Meyerhold and Science and the Stanislavsky Tradition of Acting. He has taught masterclasses on Russian actor training at the RSC and in Tokyo, Malta and Shanghai and is the founding co-editor of the Routledge journal Theatre, Dance and Performance Training.

• Contents Frontispiece i List of Illustrations: ii Notes on Contributors: iv Acknowledgements: vi Introduction: The Mechanics of Tradition-making 1 Jonathan Pitches Chapter 1: A Tradition in Transition: Komisarjevsky’s Seduction of the British theatre 14 Jonathan Pitches Chapter 2: Stanislavsky’s Passage into the British Conservatoire 44 David Shirley Chapter 3: Michael Chekhov and the Studio in Dartington: The Re-membering of a Tradition 74 Jerri Daboo Chapter 4: Riding the Waves: Uncovering Biomechanics in Britain 102 Amy Skinner Chapter 5: 'Who is Skivvy?' The Russian Influence on Theatre Workshop 131 Robert Leach Chapter 6: Shared Utopias? Lev Dodin, Alan Lyddiard and the Northern Stage Ensemble 164 Duška Radosavljevic? Chapter 7: Re-visioned Directions: Stanislavsky in the 21st Century 198 Bella Merlin and Katya Kamotskaya Conclusion: A Common Theatre History? The Russian Tradition in Britain today: Declan Donnellan, Katie Mitchell and Michael Boyd 229 Jonathan Pitches Index: 252

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