Robert R. Shandley is Associate Professor of Film Studies and German at Texas A&M University. He is the author of Rubble Films: German Cinema in the Shadow of the Third Reich (Temple) and editor of Unwilling Germans? The Goldhagen Debate.

• Preface Introduction 1. Hollywood’s Move Abroad 2. How Rome Saved Hollywood 3. Foreign Affairs: Metaphors of Transatlantic Relations 4. Tourists with Big Cameras: Widescreen Runaways and Class Mobility 5. Marrying the Enemy: The Occupation Romance 6. The End of the European Romance Notes Filmography Bibliography Index Photographs follow page 110

QUOTE: “Shandley's careful analysis is informed by a wealth of relevant historical and critical studies. Runaway Romances is both conceptually interesting and original and it is a meaningful scholarly addition to the field.”-Antje Ascheid, Associate Professor in the Department of Theatre and Film Studies at the University of Georgia, and author of Hitler's Heroines: Stardom and Womanhood in Nazi Cinema (Temple)

Robert R. Shandley is Associate Professor of Film Studies and German at Texas A&M University. He is the author of Rubble Films: German Cinema in the Shadow of the Third Reich (Temple) and editor of Unwilling Germans? The Goldhagen Debate.

• Preface Introduction 1. Hollywood’s Move Abroad 2. How Rome Saved Hollywood 3. Foreign Affairs: Metaphors of Transatlantic Relations 4. Tourists with Big Cameras: Widescreen Runaways and Class Mobility 5. Marrying the Enemy: The Occupation Romance 6. The End of the European Romance Notes Filmography Bibliography Index Photographs follow page 110

QUOTE: “Shandley's careful analysis is informed by a wealth of relevant historical and critical studies. Runaway Romances is both conceptually interesting and original and it is a meaningful scholarly addition to the field.”-Antje Ascheid, Associate Professor in the Department of Theatre and Film Studies at the University of Georgia, and author of Hitler's Heroines: Stardom and Womanhood in Nazi Cinema (Temple)

Robert R. Shandley is Associate Professor of Film Studies and German at Texas A&M University. He is the author of Rubble Films: German Cinema in the Shadow of the Third Reich (Temple) and editor of Unwilling Germans? The Goldhagen Debate.

• Preface Introduction 1. Hollywood’s Move Abroad 2. How Rome Saved Hollywood 3. Foreign Affairs: Metaphors of Transatlantic Relations 4. Tourists with Big Cameras: Widescreen Runaways and Class Mobility 5. Marrying the Enemy: The Occupation Romance 6. The End of the European Romance Notes Filmography Bibliography Index Photographs follow page 110

QUOTE: “Shandley's careful analysis is informed by a wealth of relevant historical and critical studies. Runaway Romances is both conceptually interesting and original and it is a meaningful scholarly addition to the field.”-Antje Ascheid, Associate Professor in the Department of Theatre and Film Studies at the University of Georgia, and author of Hitler's Heroines: Stardom and Womanhood in Nazi Cinema (Temple)