Routledge Handbook of Shakespeare and Interface

Clifford Werier is Professor of English at Mount Royal University, Canada. His recent publications investigate time across media in Shakespearean jokes and the application of meme theory to the spread of contagious ideas in Coriolanus. He is the co-editor of Shakespeare and Consciousness (2016) and is the interface team leader on the Linked Early Modern Drama Online project.Paul Budra is Professor of English at Simon Fraser University, Canada. He has published six books and numerous articles on early modern drama and contemporary popular culture. He is the director of SFU Publications and a past president of the Pacific Northwest Renaissance Society.

• IntroductionClifford Werier and Paul BudraPart 1Media and the embodied mind 1 Reading Shakespeare: Interface and Cognitive LoadClifford Werier 2 Shakespeare and Virtual RealityRebecca Bushnell and Michael Ullyot3 All the Game Is a Stage: The Controller and Interface in Shakespearean Videogames Mark Kaethler 4 Voice as InterfaceBruce SmithPart 2 Apparent designs and hidden grounds 5 Shakespearean Interfaces and Worldmaking: Buried Narratives, Hidden Grounds, and the Culture of Adaptive Practice Daniel Fischlin6 What Are Interfaces For, Really? Gabriel Egan7 Interface Design and Editorial TheoryGary Taylor8 Abstraction as Shakespearean Interface Jonathan Lamb and Suzanne TannerPart 3Surfaces and depths 9 The Hamlet First Quarto (1603) and the Play of TypographyErika Boeckeler10 Desiring Bodies, Divine Violence and Typographic Interfaces in Champ Fleury and Venus and AdonisSimon Ryle11 "If you can command these elements": TEI Markup as Shakespearean InterfaceSarah ConnellPart 4Display, navigation, and functionality 12 "Into a thousand parts divide": The Pursuit of Precision in Shakespeare’s InterfacesRebecca Niles13 Does Jonson Break the Data Model? Interrelated Data Models for Early Modern English Drama Meaghan Brown14 Browse as Interface in Shakespeare’s Texts and The World Shakespeare Bibliography OnlineHeidi Craig and Laura EstillPart 5User experience 15 "Make Your Best Use of This": A Case Study in User Experience Design for a Shakespeare InterfaceKurt Daw16 Using Data and Design to Bring the New Variorum Shakespeare OnlineAnne Burdick, Laura Mandell, Bryan Tarpley, and Katayoun Torabi17 Mediating the Shakespeare User’s Digital ExperienceEric Johnson and Stacey RedickPart 6Staging the interface 18 Access Points: Stage, Space, and/as Interface in the Early Modern Playhouses Laurie Johnson19 The Heuristics of Interface: Shakespeare’s CymbelineLauren Shohet20 Shakespeare Through the Bare Thrust Stage Interface Shoichiro KawaiPart 7Interfacing with performance 21 Shakespeare’s Walking Story: Site-specific Theater in a Covid WorldGretchen Minton22 Interfacing Shakespeare OnscreenAlexa Joubin23 Front to Front: Enactment as Interface Mary Hartman24 Zoom ShakespearePaul Budra