Routledge Handbook of Music and Migration

Wolfgang Gratzer is an Austrian musicologist and Professor of Musicology at the University Mozarteum Salzburg, Austria.Nils Grosch is Professor of Musicology and Head of the Department of Art, Music, and Dance Studies and the Research Center for Musical Theater at the University of Salzburg, Austria.Ulrike Präger is Assistant Professor of Music at the University of Louisville, US.Susanne Scheiblhofer is a researcher and instructor at the University of Salzburg, Austria.

• 1. Introduction2. Key Terms3. THEORETICAL AND METHODOLOGICAL APPROACHES TO MUSIC AND MIGRATION3.1 Enacting and Embodying Mobile Voices: "Musicking as a Tool for (Ethnographic) Migration Research3.2 Multi-Perspective Research in Musical Migration Contexts3.3 Musicological Research with Refugees: Theoretical and Ethical Considerations3.4 Musical Ethnography: Researching and Representing Migration, Expressive Culture, and Politics of Belonging3.5 Polyphonic History: On Histoire Croisée as a Method of Musicological Exile and Migration Research4. MOBILITY IMPULSES AND KINETIC MOMENTUMS4.1 Music and Cultural Mobility4.2 Music and Urban Migration: The City, Mobile Ethnography and Affective Citizenship4.3 Between "Return Mobilities" and the Hope for an End to Exile: Musicology and Remigration Research5. AFTER MIGRATION: INTERACTION, INCLUSION, AND PARTICIPATION5.1 Music Making by Migrants from the Perspective of Sociological Integration Studies5.2 Displaced Humanity on the Move: Rights, Needs, and Future Directions for Music5.3 Musical Activities in the Acculturation Processes of Children and Adolescents with Migration Experiences6. POSTCOLONIAL AND TRANSCULTURAL PERSPECTIVES ON MUSIC AND MIGRATION6.1 Perpetual Transformation: Translating Music into New Spaces6.2 Media, Migration, and Music: Methodological and Theoretical Perspectives6.3 Writing for Change: Critical Perspectives in Artistic and Scholarly Practices as Calls to Action6.4 Music – Gender – Migration: Topics, Research Fields, and Methods6.5 Music and Entrepreneurship: Perspectives from Migrant Business Research

'The essays in The Routledge Handbook of Music and Migration are remarkable for the ways in which they take account of the historical longue durée of unraveling the simple truths about the differences that arise when human beings, individually and collectively, move from one place of residence to another place, which may or may not offer residence. In the entries and chapters that fill this volume, we encounter truth under many names, more rather than fewer, as the culture of common differences previously made some of us believe… The paths along which simple truths unravel in this volume owe much to the ways in which the contributors have taken the power of music to expose the multiple layers of meaning in the human experience of migration, past, present, and future. Musical meaning in this sense is different from simple truth because it insists there is more to the reality of migration than accommodation. The contributors to The Routledge Handbook of Music and Migration muster the eloquence of evidence from the confluence of concerted theory and method to open new possibilities for listening to the voices of the migrants in a modern world troubled and unsettled. To read the essays in this volume is to hear those voices anew, and to recognize the necessity of joining the contributors in a call to action in which truths are powerful only upon becoming uncommon.'Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, Music and the Humanities, University of Chicago