Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms

Guillermina De Ferrari is Halls-Bascom Professor of Caribbean Literatures and Visual Cultures at the University of Wisconsin-Madison. She is a 2020 Guggenheim Fellow and has published extensively on Caribbean Literatures and Visual Cultures. She is the author of Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction (2007), Community and Culture in Post-Soviet Cuba (2014), and Apertura: Photography in Cuba Today (2015). She is coeditor of the Routledge series Literature and Contemporary Thought.Mariano Siskind is Professor of Romance Languages and Literatures and Comparative Literature at Harvard University. He is the author of Cosmopolitan Desires: Global Modernity and World Literature in Latin America (2014), Rumo a um cosmopolitismo da perda. Ensaio sobre o fim do mundo (2020) and The Modernist Songbook. Standards y variaciones sobre formas muertas (2021). He has edited Homi Bhabha's Nuevas minorías, nuevos derechos (2013) and has coedited with Sylvia Molloy Poéticas de la distancia. Adentro y afuera de la literatura argentina (2006); with Gesine Müller, World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise (2019). In 2022 he will publish the collection of essays Dislocaciones y fin de eso que ya no es mundo, and is working on another one, tentatively titled About the End of the World: The Demise of Cosmopolitanism in Contemporary Culture.

• AcknowledgmentsIntroductionGuillermina De Ferrari and Mariano SiskindPart INot the Way You Remember: Reshuffled Traditions and Historical Formations Avant-Gardes in Latin America: A Polemical Intervention on Historical and Neo-VanguardiasFernando J. Rosenberg A Material World: On the Literary Invention of the Latin American Queer BodyJavier Guerrero Economic Impact: Narrative Traces of Money, Crisis, and WorkAlejandra Laera Neoliberalism in Latin America: Sequences, Struggles, InstitutionsVerónica Gago Gore Capitalism, Borderization, and Fascism 2.0Sayak Valencia Formations of Sense Horacio Legrás What Is Popular Art?Karen Benezra Work’s Figures, Work’s FormsSarah Ann Wells Literature and Revolution in Latin AmericaJuan E. De Castro The Reactionary Genealogies of Latin American LiteratureBenjamin Loy The Political Art of Memory in Latin AmericaVictor Vich and Alexandra Hibbett Decolonizing Indigenous LiteraturesArturo Arias Bound to Beauty: The Cultural Politics of Feminist Writerly FormationsVictoria Liendo Gisèle Freund’s Latin America: The Cosmopolitan Promises of Modern Photography Alejandra Uslenghi Part IIVirtually Anywhere: Dislocated Boundaries and Porous Cartographies Peopling Latin AmericanismFernando Degiovanni Literary Exchanges between Latin America and Spain during the Spanish Civil WarJesús Cano Reyes The Orient, the Rim, and the WorldRosario Hubert Rethinking South-South Globalities: The Indian ConnectionAlexandra Ortiz Wallner Liberian Signifiers and the Crisis of Latin American Cosmopolitan ImaginariesMariano Siskind The End of Landscape: Brumadinho, the Capitalocene, and the Collapse of FormJens Andermann Urban and Environmental Scales of Belonging in the Digital AgeBruno Carvalho Natural Borders and Animal Life: Inhabiting GuantánamoEsther Whitfield Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican CultureCharlotte Rogers Part IIIA Bigger Toolbox: Thinking Patterns and Contemporary Interrogations Being River: Ambient Poetics and Somatic Experiences of More-than-Human FlowsLisa Blackmore EcocriticismGisela Heffes Energy Aesthetics: Sandú Darié’s Film Petróleo cubano Rachel Price The Afterlives of BiopoliticsGabriel Giorgi Infrastructure Studies and Literature in Latin America and the CaribbeanNicole Fadellin Afrofuturismo: Aesthetics and InterpretationPersephone Braham Birthing Ourselves: Black Womanhood and Epistemological Marronage in Latin American and Caribbean LiteraturesOdette Casamayor-Cisneros A Horizontal HospitalityGuillermina De Ferrari Queer and Trans Critique in the Caribbean and Latin AmericaLawrence La Fountain-Stokes The Affective Turn According to Latin America, and Vice-VersaCecilia Macón Sound Studies and Literature in Latin AmericaAnke Birkenmeier Imagining and Undoing Masculinity in Jorge Luis Borges’s Poetry and Prose FictionIdelber Avelar The Global South, Resistance, and the Anthropocene: A Long Walk in the Great NightLuís Madureira Él no es: Infrapolitics and the Experience of TragedyGareth Williams Part IVBeyond the Book: Unbound Objects and Unfettered Critical Practices Distorting LatinamericanismErin Graff Zivin SensationalismSergio Delgado Moya Nature and Labor in Literary FormHéctor Hoyos Cartonera Publishers: Of Cardboard Boxes and Cultural CapitalPaloma Celis Carbajal Institutions: Prizes, Presses, and Book FairsGesine Müller Material Technologies in Print: Posters and Clippings in Latin American Magazines from the First Half of the Twentieth CenturyAntonia Viu Tracking Dance in Latin American LiteratureMichelle Clayton New Forms of Musical Belonging in Contemporary BrazilFalina Enríquez Critical Performances: The Scream, the Green Tide, and the Spider as Embodied Feminist ArticulationsMarcela A. Fuentes Exteriority, Extension, Expansion: Photography and Theatricality in Chilean ArtsNatalia Brizuela Media Archaeology and e-Literature Phillip Penix-Tadsen Experimental Literary Forms in the Digital Age: Sampling Quantum Poetics, Hypermedia Narratives, and Robopoetic HackingScott WeintraubIndex