Routledge Companion to Diasporic Jazz Studies

Ádám Havas is a Marie Skłodowska-Curie postdoctoral researcher at the University of Barcelona (2022-2024) and a member of The Center for the Study of Culture, Politics, and Society (CECUPS) in the University’s Sociology Department. From October 2024 he will be an international fellow at the Kulturwissenschaftliches Institut Essen (KWI).Bruce Johnson currently holds honorary professorships in various departments, including Music, Cultural History, Communications and Media at the University of Glasgow and the University of Turku (Finland); and at the University of Technology Sydney and the University of New South Wales in Australia.David Horn was the first Director of the Institute of Popular Music (IPM) at the University of Liverpool.

• PrefacePart 1: What is Diasporic Jazz? 1. Tony Whyton: Jazz as Diaspora Space2. Christopher Ballantine: What is “Jazz”? Categories, Passages, Contradictions and Power3. Jonathan Wipplinger: Ways of Conceptualising the Global Jazz Diaspora4. Philipp Schmickl: Rethinking Diaspora in Diasporic Jazz5. Carol Muller: Diaspora in South African Jazz History and Contemporary Performance6. Mikkel Vad: The Diaspora Swings Back: Expat Jazz Musicians in Europe and their Return Home to the United States7. Ádám Havas: Identity Politics and Diasporic Jazz: Reflections from the European Semi-PeripheryPart 2: Histories and Counter-Narratives8. Catherine Tackley: “Snakehips Swing:” The West Indian Contribution to British Dance Band Music9. Federico Ochoa Escobar: Jazz Diaspora and the Colombian Caribbean: From the Jazz Band to the Big Band10. Jason R. Borge: Booker T. Pittman and the Mid-Twentieth Century South American Jazz Diaspora11. Martin Breternitz: Individuality in Collectivism – Jazz Clubs in the GDR as Nonconformist Diasporic Institutions12. Aleisha Ward: “Real Dance Music in Your Town Soon!” The Importance of Jazz as Dance Music in Aotearoa New Zealand 1920s-1940s13. John Whiteoak: Jazz Diaspora, Latin Musical Influences and AustraliaPart 3: Making, Disseminating and Consuming Diasporic Jazz14. Pekka Gronow: Music Industry and the Media15. Mischa van Kan: Public Broadcasting Companies and Jazz Outside of the United States16. Haftor Medbøe and José Dias: First Monday Revisited: Production and Dissemination of Diasporic Jazz in the Digital Age17. Ryan Gourley: Soviet jazz on American Vinyl: Consuming Diasporic Jazz at Home18. François Mouillot: “L’Autre Musique du Québec:” Musique Actuelle and the Making of an Experimental Jazz Scene in Quebec19. Otto Stuparitz: Forum Jazz Indonesia: Organizing and Branding Indonesian Jazz FestivalsPart 4: Culture, Politics and Ideology20. Frederick J. Schenker: The Making of Jazz in Colonial Asia: Imperial Legacies21. Alexander Gagatsis: Jazz in the Global Arena: The Case of Colonized Bombay, 1920-194722. Yoshiomi Saito| 齋藤 嘉臣: Jazz in Japan: From Post-war US-Japan Relations’ Perspective23. Michael J. Kellett, Dave Wilson, Robert L. Burke: Settler Colonization and Austrological Improvisative Musicality Since the Late Nineteenth Century24. Ricardo Álvarez Bulacio: Jazz with Mapuche Inspiration: Identities and Political Links in Contemporary Chilean Jazz25. Stan BH Tan-Tangbau: Patient Infusion: Strategies of Community Formation in the Vietnamese Jazz ScenePart 5: Communities and Distinctions26. Jiang Yuhan | 蒋玉涵: Becoming Cultural Elites in China: Jazz, Modernization and Professionalism27. Eric Petzoldt: Jauk Armand Elmaleh-Lemal and the Casablanca Jazz Scene of the 1950s and 1960s28. Lauren Istvandity: DIY Jazz Cultures in Queensland, Australia29. Simon Petty: The Isle s Full of Noises: Tasmania’s Unique Jazz Identity30. Robert Smith: Improvised Music in Wales31. Pedro Cravinho: Urban Jazz Scenes in Portugal: Culture, Spaces and Networks32. Pedro Roxo and Tiago Pereira Simões: “Conceptual Jazz” and “Jazz-Off:” Avant-garde, Globalization and Personal Interpretations of Jazz in Portugal – The Legacy of Jorge Lima Barreto (1968-1974)33. Petter Frost Fadnes: Jazz City Pigeonics: Jazzloftet as a Diasporic “Ground Zero”Part 6: Presenting and Representing Diasporic Jazz34. Marie Buscatto: Beyond Frontiers: From Japanese Traditional Koto to Transnational Improvised Music35. Marc Duby: “Säd Afrika:” Django Bates and the South African Imaginary 1985-201236. Alex de Lacey: Bridging the Gap: Re-rendering Jazz Practice in London’s Displaced Diasporas37. Roger Fagge: “Angry Young Men,” Jazz and Englishness38. José Dias: Centre-Periphery relations and European Jazz Identities39. Josep Pedro and Begoña Gutiérrez-Martínez: Jazz in Spanish Film Noir: Modernity and Youth Cultures During Late FrancoismPart 7: Challenges and New Directions40. Robert G. H. Burns: Indigeneity Meets Improvisation as Free Jazz: A Musical Director’s/Editor’s Perspective41. Andrew Wright Hurley: Jazz as Postwar West-German Cultural Catalyst and African American Resistance42. Haftor Medbøe, Diane Maclean and Sarah Raine: Vivid Stories: Oral Histories, Collective Memory, and the Scottish Jazz Scene43. André Doehring: Diasporic jazz Among the Disciplines44. Walter van de Leur: Is Jazz in Europe European Jazz? Countries, Continents, and Cultural Ownership45. Bruce Johnson: Diasporic jazz and the “material turn:” A Case Study