Anna McFarlane is a British Academy Postdoctoral Fellow at Glasgow University with a project entitled "Products of Conception: Science Fiction and Pregnancy, 1968-2015." She has worked on the Wellcome Trust-funded Science Fiction and the Medical Humanities project and holds a Ph.D. from the University of St Andrews on William Gibson’s science fiction novels. She is the editor of Adam Roberts: Critical Essays (2016) and has served as blog and reviews editor for the journal BMJ Medical Humanities.Graham J. Murphy is a professor with the School of English and Liberal Studies (Faculty of Arts) at Seneca College (Toronto). In addition to more than two dozen articles published in a variety of edited collections and peer-review journals, he is also co-editor of Cyberpunk and Visual Culture (2018), Beyond Cyberpunk: New Critical Perspectives (2010), and co-author of Ursula K. Le Guin: A Critical Companion (2006).Lars Schmeink is project lead at the "Science Fiction" subproject of "FutureWork," a research network funded by the German Ministry of Education and Research. He was the inaugural president of the Gesellschaft für Fantastikforschung from 2010 to 19 and has published extensively on science fiction and posthumanism. He is the author of Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016) and co-editor of Cyberpunk and Visual Culture (2018).

• 01. Cyberpunk as Cultural Formation Anna McFarlane, Graham J. Murphy and Lars Schmeink I: Cultural Texts 02. Literary PrecursorsRob Latham03. The Mirrorshades Collective Graham J. Murphy 04. Bruce Sterling: Schismatrix Plus (Case Study)Maria Goicoechea05. Feminist CyberpunkLisa Yaszek 06. Pat Cadigan: Synners (Case Study)Ritch Calvin07. Post-CyberpunkChristopher D. Kilgore08. Charles Stross: Accelerando (Case Study)Gerry Canavan09. SteampunkJess Nevins10. BiopunkLars Schmeink11. Non-SF CyberpunkJaak Tomberg12. Comic BooksDavid M Higgins and Matthew Iung13. American Flagg! (Case Study)Corey K. Creekmur14. MangaShige (CJ) Suzuki15. Early Cyberpunk FilmAndrew M. Butler 16. Strange Days (Case Study)Anna McFarlane17. Digital Effects in CinemaLars Schmeink18. Blade Runner 2049 (Case Study)Matthew Flisfeder19. AnimeKumiko Saito20. Akira and Ghost in the Shell (Case Study)Martin de la Iglesia and Lars Schmeink21. TelevisionSherryl Vint22. Max Headroom: Twenty Minutes into the Future (Case Study)Scott Rogers23. Video GamesPawel Frelik24. Deus Ex (Case Study)Christian Knöppler25. Tabletop Role-Playing GamesCurtis D. Carbonell26. Shadowrun (Case Study)Hamish Cameron27. Photography and Digital ArtGrace Halden28. FashionStina Attebery29. MusicNicholas C. Laudadio30. Janelle Monáe: Dirty Computer (Case Study)Christine CapetolaII: Cultural Theory31. Simulation and SimulacraRebecca Haar and Anna McFarlane32. GothicismAnya Heise-von der Lippe33. Posthumanism(s)Julia Grillmayr34. MarxismHugh Charles O’Connell35. Cyborg FeminismPatricia Melzer36. Queer TheoryWendy Gay Pearson37. Critical Race TheoryIsiah Lavender III38. AnimalitySeán McCorry39. Ecology in the AnthropoceneVeronica Hollinger40. EmpireJohn Rieder41. Indigenous FuturismsCorinna Lenhardt42. Afrofuturis

"The Routledge Companion to Cyberpunk Culture [...] makes for an excellent and accessible reference work for those interested in how techno-cultural changes made throughout our present information-saturated age have been addressed in science fiction and beyond. There is no other scholastic work on cyberpunk that goes as broad or runs as deep, and this will likely remain the case for quite some time."-- Mark Player, University of Reading, from Configurations, Volume 28, Number 3, Summer 2020"The Routledge Companion to Cyberpunk Culture is as thorough and careful a study of worldwide cyberpunk as we could have hoped it would be. The writing and the bibliographical apparatus are both of high quality, and the enthusiasm of the writers for their topics matches their professionalism [...]. Every companion volume is as much a spur toward conversation and argument as it is a compass reading in the field it tackles, and in that respect as in many others, this Companion represents a remarkable achievement."-- Simone Caroti, Full Sail University, from Journal of the Fantastic in the Arts, Volume 30, Number 3, 2020"Emphasizing such a far-reaching impact and manifestation of cyberpunk, this anthology is best suited for scholars seeking a helpful companion for undergraduate courses focused on this topic or emerging scholars desiring a guiding resource through this cultural terrain. Moving beyond the most influential cyberpunk texts, it provides a broader understanding of how cyberpunk permeates disparate genres and media including video games, music, fashion, role-playing games, manga and anime, comic books, novels, and films and therefore enables scholars to re-envision cyberpunk as not merely a North American genre of speculative fiction but instead in a more accurate sense as a global response to late capitalism."-- Michael Pitts,from SFRA Review, vol. 52, no. 1, 241-42

Anna McFarlane is a British Academy Postdoctoral Fellow at Glasgow University with a project entitled "Products of Conception: Science Fiction and Pregnancy, 1968-2015." She has worked on the Wellcome Trust-funded Science Fiction and the Medical Humanities project and holds a Ph.D. from the University of St Andrews on William Gibson’s science fiction novels. She is the editor of Adam Roberts: Critical Essays (2016) and has served as blog and reviews editor for the journal BMJ Medical Humanities.Graham J. Murphy is a professor with the School of English and Liberal Studies (Faculty of Arts) at Seneca College (Toronto). In addition to more than two dozen articles published in a variety of edited collections and peer-review journals, he is also co-editor of Cyberpunk and Visual Culture (2018), Beyond Cyberpunk: New Critical Perspectives (2010), and co-author of Ursula K. Le Guin: A Critical Companion (2006).Lars Schmeink is project lead at the "Science Fiction" subproject of "FutureWork," a research network funded by the German Ministry of Education and Research. He was the inaugural president of the Gesellschaft für Fantastikforschung from 2010 to 19 and has published extensively on science fiction and posthumanism. He is the author of Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016) and co-editor of Cyberpunk and Visual Culture (2018).

• 01. Cyberpunk as Cultural Formation Anna McFarlane, Graham J. Murphy and Lars Schmeink I: Cultural Texts 02. Literary PrecursorsRob Latham03. The Mirrorshades Collective Graham J. Murphy 04. Bruce Sterling: Schismatrix Plus (Case Study)Maria Goicoechea05. Feminist CyberpunkLisa Yaszek 06. Pat Cadigan: Synners (Case Study)Ritch Calvin07. Post-CyberpunkChristopher D. Kilgore08. Charles Stross: Accelerando (Case Study)Gerry Canavan09. SteampunkJess Nevins10. BiopunkLars Schmeink11. Non-SF CyberpunkJaak Tomberg12. Comic BooksDavid M Higgins and Matthew Iung13. American Flagg! (Case Study)Corey K. Creekmur14. MangaShige (CJ) Suzuki15. Early Cyberpunk FilmAndrew M. Butler 16. Strange Days (Case Study)Anna McFarlane17. Digital Effects in CinemaLars Schmeink18. Blade Runner 2049 (Case Study)Matthew Flisfeder19. AnimeKumiko Saito20. Akira and Ghost in the Shell (Case Study)Martin de la Iglesia and Lars Schmeink21. TelevisionSherryl Vint22. Max Headroom: Twenty Minutes into the Future (Case Study)Scott Rogers23. Video GamesPawel Frelik24. Deus Ex (Case Study)Christian Knöppler25. Tabletop Role-Playing GamesCurtis D. Carbonell26. Shadowrun (Case Study)Hamish Cameron27. Photography and Digital ArtGrace Halden28. FashionStina Attebery29. MusicNicholas C. Laudadio30. Janelle Monáe: Dirty Computer (Case Study)Christine CapetolaII: Cultural Theory31. Simulation and SimulacraRebecca Haar and Anna McFarlane32. GothicismAnya Heise-von der Lippe33. Posthumanism(s)Julia Grillmayr34. MarxismHugh Charles O’Connell35. Cyborg FeminismPatricia Melzer36. Queer TheoryWendy Gay Pearson37. Critical Race TheoryIsiah Lavender III38. AnimalitySeán McCorry39. Ecology in the AnthropoceneVeronica Hollinger40. EmpireJohn Rieder41. Indigenous FuturismsCorinna Lenhardt42. Afrofuturis

"The Routledge Companion to Cyberpunk Culture [...] makes for an excellent and accessible reference work for those interested in how techno-cultural changes made throughout our present information-saturated age have been addressed in science fiction and beyond. There is no other scholastic work on cyberpunk that goes as broad or runs as deep, and this will likely remain the case for quite some time."-- Mark Player, University of Reading, from Configurations, Volume 28, Number 3, Summer 2020"The Routledge Companion to Cyberpunk Culture is as thorough and careful a study of worldwide cyberpunk as we could have hoped it would be. The writing and the bibliographical apparatus are both of high quality, and the enthusiasm of the writers for their topics matches their professionalism [...]. Every companion volume is as much a spur toward conversation and argument as it is a compass reading in the field it tackles, and in that respect as in many others, this Companion represents a remarkable achievement."-- Simone Caroti, Full Sail University, from Journal of the Fantastic in the Arts, Volume 30, Number 3, 2020"Emphasizing such a far-reaching impact and manifestation of cyberpunk, this anthology is best suited for scholars seeking a helpful companion for undergraduate courses focused on this topic or emerging scholars desiring a guiding resource through this cultural terrain. Moving beyond the most influential cyberpunk texts, it provides a broader understanding of how cyberpunk permeates disparate genres and media including video games, music, fashion, role-playing games, manga and anime, comic books, novels, and films and therefore enables scholars to re-envision cyberpunk as not merely a North American genre of speculative fiction but instead in a more accurate sense as a global response to late capitalism."-- Michael Pitts,from SFRA Review, vol. 52, no. 1, 241-42

Anna McFarlane is a British Academy Postdoctoral Fellow at Glasgow University with a project entitled "Products of Conception: Science Fiction and Pregnancy, 1968-2015." She has worked on the Wellcome Trust-funded Science Fiction and the Medical Humanities project and holds a Ph.D. from the University of St Andrews on William Gibson’s science fiction novels. She is the editor of Adam Roberts: Critical Essays (2016) and has served as blog and reviews editor for the journal BMJ Medical Humanities.Graham J. Murphy is a professor with the School of English and Liberal Studies (Faculty of Arts) at Seneca College (Toronto). In addition to more than two dozen articles published in a variety of edited collections and peer-review journals, he is also co-editor of Cyberpunk and Visual Culture (2018), Beyond Cyberpunk: New Critical Perspectives (2010), and co-author of Ursula K. Le Guin: A Critical Companion (2006).Lars Schmeink is project lead at the "Science Fiction" subproject of "FutureWork," a research network funded by the German Ministry of Education and Research. He was the inaugural president of the Gesellschaft für Fantastikforschung from 2010 to 19 and has published extensively on science fiction and posthumanism. He is the author of Biopunk Dystopias: Genetic Engineering, Society, and Science Fiction (2016) and co-editor of Cyberpunk and Visual Culture (2018).

• 01. Cyberpunk as Cultural Formation Anna McFarlane, Graham J. Murphy and Lars Schmeink I: Cultural Texts 02. Literary PrecursorsRob Latham03. The Mirrorshades Collective Graham J. Murphy 04. Bruce Sterling: Schismatrix Plus (Case Study)Maria Goicoechea05. Feminist CyberpunkLisa Yaszek 06. Pat Cadigan: Synners (Case Study)Ritch Calvin07. Post-CyberpunkChristopher D. Kilgore08. Charles Stross: Accelerando (Case Study)Gerry Canavan09. SteampunkJess Nevins10. BiopunkLars Schmeink11. Non-SF CyberpunkJaak Tomberg12. Comic BooksDavid M Higgins and Matthew Iung13. American Flagg! (Case Study)Corey K. Creekmur14. MangaShige (CJ) Suzuki15. Early Cyberpunk FilmAndrew M. Butler 16. Strange Days (Case Study)Anna McFarlane17. Digital Effects in CinemaLars Schmeink18. Blade Runner 2049 (Case Study)Matthew Flisfeder19. AnimeKumiko Saito20. Akira and Ghost in the Shell (Case Study)Martin de la Iglesia and Lars Schmeink21. TelevisionSherryl Vint22. Max Headroom: Twenty Minutes into the Future (Case Study)Scott Rogers23. Video GamesPawel Frelik24. Deus Ex (Case Study)Christian Knöppler25. Tabletop Role-Playing GamesCurtis D. Carbonell26. Shadowrun (Case Study)Hamish Cameron27. Photography and Digital ArtGrace Halden28. FashionStina Attebery29. MusicNicholas C. Laudadio30. Janelle Monáe: Dirty Computer (Case Study)Christine CapetolaII: Cultural Theory31. Simulation and SimulacraRebecca Haar and Anna McFarlane32. GothicismAnya Heise-von der Lippe33. Posthumanism(s)Julia Grillmayr34. MarxismHugh Charles O’Connell35. Cyborg FeminismPatricia Melzer36. Queer TheoryWendy Gay Pearson37. Critical Race TheoryIsiah Lavender III38. AnimalitySeán McCorry39. Ecology in the AnthropoceneVeronica Hollinger40. EmpireJohn Rieder41. Indigenous FuturismsCorinna Lenhardt42. Afrofuturis

"The Routledge Companion to Cyberpunk Culture [...] makes for an excellent and accessible reference work for those interested in how techno-cultural changes made throughout our present information-saturated age have been addressed in science fiction and beyond. There is no other scholastic work on cyberpunk that goes as broad or runs as deep, and this will likely remain the case for quite some time."-- Mark Player, University of Reading, from Configurations, Volume 28, Number 3, Summer 2020"The Routledge Companion to Cyberpunk Culture is as thorough and careful a study of worldwide cyberpunk as we could have hoped it would be. The writing and the bibliographical apparatus are both of high quality, and the enthusiasm of the writers for their topics matches their professionalism [...]. Every companion volume is as much a spur toward conversation and argument as it is a compass reading in the field it tackles, and in that respect as in many others, this Companion represents a remarkable achievement."-- Simone Caroti, Full Sail University, from Journal of the Fantastic in the Arts, Volume 30, Number 3, 2020"Emphasizing such a far-reaching impact and manifestation of cyberpunk, this anthology is best suited for scholars seeking a helpful companion for undergraduate courses focused on this topic or emerging scholars desiring a guiding resource through this cultural terrain. Moving beyond the most influential cyberpunk texts, it provides a broader understanding of how cyberpunk permeates disparate genres and media including video games, music, fashion, role-playing games, manga and anime, comic books, novels, and films and therefore enables scholars to re-envision cyberpunk as not merely a North American genre of speculative fiction but instead in a more accurate sense as a global response to late capitalism."-- Michael Pitts,from SFRA Review, vol. 52, no. 1, 241-42