• Acknowledgements; Introduction: 'The Serpent's Tail'; 1. Irony: 'Teiresia's Gaze'; 2. Irony II: 'This Is Not a Pipe'; 3. Women: 'Dryads, Witches, and Hill Wives'; 4. Eros: 'The Mischief Maker'; 5. Prosody: 'White Noise'; 6. Lyricism: 'At the Back of the North Wind'; Conclusion: 'Out Far and in Deep'; Notes; Index.

"...the most stimulating work on Frost since Richard Poirier's; it revises much...Kearns stays close to the poems; she takes Frost on his own terms and is among his most generous and generative readers...Kearns's revisionist readings of major poems and her mimesis of Frost's pushing toward extremes and stopping short of them are exemplary. This is first-rate work." Guy Rotella, New England Quarterly

• Acknowledgements; Introduction: 'The Serpent's Tail'; 1. Irony: 'Teiresia's Gaze'; 2. Irony II: 'This Is Not a Pipe'; 3. Women: 'Dryads, Witches, and Hill Wives'; 4. Eros: 'The Mischief Maker'; 5. Prosody: 'White Noise'; 6. Lyricism: 'At the Back of the North Wind'; Conclusion: 'Out Far and in Deep'; Notes; Index.

"...the most stimulating work on Frost since Richard Poirier's; it revises much...Kearns stays close to the poems; she takes Frost on his own terms and is among his most generous and generative readers...Kearns's revisionist readings of major poems and her mimesis of Frost's pushing toward extremes and stopping short of them are exemplary. This is first-rate work." Guy Rotella, New England Quarterly

• Acknowledgements; Introduction: 'The Serpent's Tail'; 1. Irony: 'Teiresia's Gaze'; 2. Irony II: 'This Is Not a Pipe'; 3. Women: 'Dryads, Witches, and Hill Wives'; 4. Eros: 'The Mischief Maker'; 5. Prosody: 'White Noise'; 6. Lyricism: 'At the Back of the North Wind'; Conclusion: 'Out Far and in Deep'; Notes; Index.

"...the most stimulating work on Frost since Richard Poirier's; it revises much...Kearns stays close to the poems; she takes Frost on his own terms and is among his most generous and generative readers...Kearns's revisionist readings of major poems and her mimesis of Frost's pushing toward extremes and stopping short of them are exemplary. This is first-rate work." Guy Rotella, New England Quarterly