Risk and Health Communication in an Evolving Media Environment

H. Dan O’Hair is Dean of the College of Communication and Information and Professor of Communication at the University of Kentucky. He received his PhD in communication from the University of Oklahoma. In 2006, he served as the president of the National Communication Association, the world’s largest and oldest professional association devoted to the study of communication. He has published over 100 research articles and scholarly chapters in risk and health communication, media management, and psychology journals and volumes, and has authored and edited 18 books in the areas of communication, risk management, health, and terrorism. He has been the principal investigator or Co-PI for several grants from business, nonprofit, and government institutions totaling more than $11 million. O’Hair has served on the editorial boards of over 30 research journals and is a past editor of the Journal of Applied Communication Research. In April 2013, he was honored by the Broadcast Education Association with their Lifetime Achievement Award for Scholarship.

• Introduction; I: Re-defining the Fan; 1: Returning to ‘Becoming-a-Fan’ Stories: Theorising Transformational Objects and the Emergence/Extension of Fandom; 2: Populating the Universe: Toy Collecting and Adult Lives; 3: Much Ado about Keanu Reeves: The Drama of Ageing in Online Fandom; 4: Music for (Something Other than) Pleasure: Anti-fans and the Other Side of Popular Music Appeal 1; 5: A Severe Case of Disliking Bimbo Heidi, Scumbag Jesse and Bastard Tiger: Analysing Celebrities’ Online Anti-fans; 6: Fandom as Survival in Media Life; 7: From Interpretive Communities to Interpretative Fairs: Ordinary Fandom, Textual Selection and Digital Media; II: Fans and Producers; 8: Fan/Celebrity Interactions and Social Media: Connectivity and Engagement in Lady Gaga Fandom; 9: Fans of Folklore Performances: Identifying a New Relationship Between Communication and Marketing; 10: Investors and Patrons, Gatekeepers and Social Capital: Representations and Experiences of Fans’ Participation in Fan Funding; 11: Music Fans as Mediators in the Age of Digital Reproduction; 12: Celebrity: The Return of the Repressed in Fan Studies?; 13: Fans Who Cut Their Soaps Queer: A Queer Theoretical Study into Online Fandom of Gay Television Representation; III: Localities of Fandom; 14: Transnational Cultural Fandom; 15: Retreating Behind the Scenes: The ‘Less’-Civilizing Impact of Virtual Spaces on the Irish Heavy Metal Scene; 16: ‘Kvlt-er than Thou’: Power, Suspicion and Nostalgia within Black Metal Fandom; 17: A Decade in the Life of Online Fan Communities; 18: Placing Fan Cultures: Xenites in the Transnational Spaces of Fandom; 19: Embodied Fantasy: The Affective Space of Anime Conventions; 20: Watching Football in the Fan Park: Mediatization, Spectatorship and Fan Identity; 21: ‘We’re Not Racist, We Only Hate Mancs’: Post-Subculture and Football Fandom