Rising Among Ruins, Dancing Amid Bullets

Born in Tehran in 1982 during the Iran-Iraq war, Maryam’s passion for sociology led her to focus her interest on social and political issues. After graduating with a BA in Social Documentary Photography from the University of Wales, Newport, UK, she began to explore these issues in different regions, with a particular focus on the situation of Kurds in Kurdistan. For several years, she has been working on various subjects including refugees in Paris and the mobilisation of the Kurdish and Iranian diaspora. Above all, as an independent freelance photographer, she covered the aftermath of the war in Northern Syria and Iraqi Kurdistan, notably in Kobane and Sinjar during numerous visits until 2018. Her work on Kurdistan has been the subject of several collective and solo exhibitions and publications including the Guardian. Her long-term work on Kurdish issues has also led her to work as a camerawoman for documentaries such as I Am The Revolution (2018) and to direct and shoot her upcoming documentary in Iraq and Syria (To be released in 2021). Allan Kaval is a journalist for the famous French newspaper Le Monde; he was their correspondent atErbil. He will introduce each part of the book with a comment about the context and interviewed Maryam Ashrafi for an introduction to the book. He received the Albert Londres prize at the end of 2020 for an article on Daesh prisoners held in Syria. Mylène Sauloy has documented the conflict in four different parts of Kurdistan, notably since 1998 in Rojava, with films, articles, exhibitions and a soon to be published graphic novel in France on Kurdish women in war Carol Mann is a Ph.D Sociologist and specialist in gender issues and armed conflicts, associate researcher at the University of Paris 8 in France and director of the Women in War association. She has extensively worked on the Middle East, including Rojava, and has been following MaryamAshrafi’s work for many years. Kamran Matin is Associate professor of International Relations at Sussex University

• The book is built on the chronology of the events as documented by Maryam Ashrafi, to understand the evolution of the conflict and its consequences on the populations and their living environment. Photos in the book are supported by texts from Allan Kaval, Journalist for Le Monde Newspaper, Kamran Matin, Associate professor of International Relations at Sussex University, Carol Mann, Sociologist and specialist in gender issues and armed conflicts, associate researcher at the University of Paris 8 and director of the Women in War association,Mylène Sauloy, who has documented the conflict in four different parts of Kurdistan, notably since 1998 in Rojava, with films, articles, exhibitions and a soon to be published graphic novel on Kurdish women in war.

“There is another face to war. Before the fighting begins, the men and women who will take part in the combat face a long wait behind the front. And once the firing has stopped, the silence of the ruins remains. These moments of time and these places, away from the din of weapons, where people are not yet dying or are dying no longer, are also part of war. War is as present here as on the battlefield. It is here that it leaves its mark on bodies, becomes embedded in the landscape, changes men and women and sticks to children’s steps. Maryam Ashrafi started roaming this liminal world, between death that lurks and life that goes on, during her first visit to Kurdistan in 2012, and she has continued to do so ever since the conflict between Kurdish forces and Islamic State began in 2014.
Although it is never in the field of her photos, the war and its impact are omnipresent. In the rubble of a flattened city like Kobani where male and female Kurdish Syrian fighters held out for months against a siege by the Jihadists in the autumn and winter of 2014, she takes stock of the scale of the disaster and at the same time the life force of those who cling on among the rubble and try to rebuild. With Kurdish women fighters Maryam Ashrafi also draws attention to the way the Kurdish movement in the Syrian civil war has served to transform the position of women.
She shows how the magnetic field of war, even at the the most intimate level, can throw the lives of those who are subjected to it, especially the women, off course and change them if not destroy them. Through her lens Maryam Ashrafi tells of communities reshaped by weapons, wounded by the war but at the same time creating a new collective existence within it.” — Extract of the back cover, by Allan Kaval, Journalist & author of the texts"Paris-based and Iranian-born photographer Maryam Ashrafi (born 1982) has been working in Iraqi and Syrian Kurdistan since 2021, "to bear witness to the consequences of war", She documents the conflict in a subjective manner, illustrating its complexity, and highlighting the remarkable organization of a new model of society based on role equality for men and woman." — LFI (LEICA FOTOGRAFIE INTERNATIONAL)"Iranian photographer Maryam Ashrafi brings together three hundred black and white photographs from her multiple stays in the Kurdish regions of Iraq, Turkey and Syria between 2012 and 2018. Accompanied by texts from four researchers and reporters, these photos document the struggle of the Kurds in these regions from a sociological angle. Ashrafi shows the life (survival) of the Kurds in a daily life that is imbued with it: from the preparation of fights to the situation of refugees, from the tribute to the martyrs and from mourning to the hope which animates the people to build a society based on an egalitarian ideology inherited from the Workers' Party of Kurdistan (PKK). Testimony of a struggle that still continues, although less present than previously in the media, the work highlights the emancipation of women in organizations, particularly in Rojava and Sinjar, while seeking to keep at bay the stereotypes that weigh on the figure of the Kurdish woman fighter." — Le Monde Diplomatique, by Claire Pilidjian