Rights and Reproductions

The Handbook for Cultural Institutions

Inbunden, Engelska, 2018

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Management and dissemination of the Intellectual Property (IP) assets maintained by cultural institutions is a key responsibility of caring for collections. Rights and reproductions methodologies are seemingly ever-changing with new technologies, additional distribution avenues, evolving case law, applicable court decisions, and new legislation. This new edition of Rights & Reproductions: The Handbook for Cultural Institutions marks the first time this valuable publication is available in print as well as digital. Building upon the guidelines, standards, and best practices outlined in the first edition, the Handbook further investigates current trends in rights and reproductions practices, notably expanding the discussion of fair use guidelines and codes, Creative Commons and RightsStatements.org, open access, social media applications, and the overall process of conducting rights clearances and obtaining permissions for the growing list of possible uses of a cultural institution’s Intellectual Property. Highlights of the second edition include:A new chapter devoted to fair use and open accessOverall updates to applicable case law, rights clearance practices, and distribution partnersOver 20 case studies outlining real-world examples from the authors’ experiences and practices at their institutionsExpanded glossary defining terms so they are easy to understandUpdated appendices with new references, resources, and court decisions Over 50 contract and document templates provided by the authors’ institutionsThe Handbook is the must-have, comprehensive resource for cultural institution professionals handling rights-related work, including registrars, rights and reproductions managers, archivists, librarians, and lawyers.

Produktinformation

Utgivningsdatum2018-11-27
Mått239 x 323 x 30 mm
Vikt1 361 g
FormatInbunden
SpråkEngelska
SerieAmerican Alliance of Museums
Antal sidor404
Upplaga2
FörlagBloomsbury Publishing Plc
ISBN9781538112656

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Anne M. Young heads the rights and reproductions department at the Indianapolis Museum of Art at Newfields and was formerly the photographic archivist for the Kinsey Institute, Indiana University. She is currently a Master of Jurisprudence candidate at Indiana University’s Robert H. McKinney School of Law focusing on intellectual property, art, and museum law. Young previously received an Master of Arts in photographic preservation and collections management from Ryerson University and a Bachelor of Arts in art history and studio art (photography) from Indiana University.

PrefaceWalter G. Lehmann and Anne M. YoungAcknowledgements Anne M. YoungChapter One: Intellectual Property Kenneth D. Crews, Walter G. Lehmann, Melissa Levine, and Nancy SimsWhat is Intellectual PropertyCopyrightTrademarkPatentTrade SecretPersonal RightsMoral RightsCopyright InfringementEnforcement MechanismsRemediesTraditional Knowledge and Cultural ExpressionsHuman RemainsInternational Intellectual Property RightsChapter Two: Institutional Intellectual Property Policies John ffrench, Walter G. Lehmann, Melissa Levine, Michelle Gallagher Roberts, Nancy Sims, and Anne M. YoungIntellectual Property PoliciesOwnership and the Development of IP PoliciesUse PoliciesOpen Access PoliciesPhotography PoliciesIP AuditsChapter Three: Rights Issues for the Collection Megan P. Bryant, Cherie C. Chen, John ffrench, Sofía Galarza Liu, Michelle Gallagher Roberts, Deborah Wythe, and Anne M. YoungDetermining Copyright StatusPublication and RegistrationPublic DomainOrphan WorksIdentifying and Finding Rights HoldersNonexclusive Licensing AgreementsCopyright AssignmentCommissioning WorksUnderlying RightsArchitectural PhotographyPrivacy Rights and the CollectionPublicity Rights and the CollectionRecording and Sharing Rights InformationAdditional ConsiderationsChapter Four: Institutional Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Naomi Leibowitz, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. YoungThe Permissions Process: Rights AnalysisThe Permissions Process: Requesting RightsThe Permissions Process: Contractual LimitationsThe Permissions Process: MusicFair UseSourcing MaterialsCollective Image ResourcesStock AgenciesAttributionInstitutional UsesPublicationsEducational MaterialsTraditional Marketing and Promotion UsesSocial MediaRetail and Commercial ProductsInstitutional WebsitesChapter Five: Leveraging Content with Distribution Partners John ffrench, Melissa Levine, Nancy Sims, Deborah Wythe, and Anne M. YoungConsidering Distribution PartnersPotential Distribution Partners (Nonrevenue Generating)Potential Distribution Partners (Revenue Generating)Revenue Generation and Open AccessRevenue Generation with Open and Public Domain ContentChapter Six: External Uses Megan P. Bryant, Cherie C. Chen, John ffrench, Melissa Levine, Sofía Galarza Liu, Michelle Gallagher Roberts, Nancy Sims, Deborah Wythe, and Anne M. YoungAccess to Images and Reproductions of Collection Materials for External UsesInformation About the Request ProcessDeveloping a Request FormReproduction FeesProduct Development and RoyaltiesProcessing External RequestsOpen Access for External UsesLicensing and Location ShootsAdditional Photography Shoot PoliciesCommunicating About Copyright to the PublicChapter Seven: New Frontiers in Fair Use and Open AccessJohn ffrench, Walter G. Lehmann, Deborah Wythe, and Anne M. YoungPutting Fair Use Into ActionFair Use Codes, Guidelines, and StatementsSimplifying and StandardizingCreative CommonsRightsStatements.orgCopyright CortexWhat Open Access Makes PossibleAppendix A: International Treaties, Federal Legal Materials, and Court Decisions Appendix B: Document and Contract Templates Appendix C: References and Resources GlossaryBibliography Index