Morten Kristiansen is Associate Professor of Musicology and director of the music program at Xavier University, Cincinnati, Ohio. In addition to conference papers and journal articles on Richard Strauss and fin-de-siècle German opera, he has authored program notes for the Salzburg Festival. Joseph E. Jones is Associate Professor of Music at Texas A&M University-Kingsville where he also serves as director of an annual study abroad program in Vienna. His research areas include German opera and the fin de siècle, and he is a co-editor of Genetic Criticism and the Creative Process (2009).

• Preface Morten Kristiansen and Joseph E. Jones; Part I. Family, Friends and Collaborators: 1. Family and upbringing Chris Walton; 2. Formative influences David Larkin; 3. Pauline de Ahna Katharina Hottmann; 4. Close friends Walter Werbeck; 5. Hofmannsthal Ingeborg Haase and Dirk Hoffmann; 6. The other librettists Kenneth Birkin; 7. Stage collaborators Ryan Prendergast; 8. Champions Bryan Gilliam; Part II. Career Stations: 9. Munich and Garmisch Sebastian Bolz; 10. Meiningen and Weimar Michael Saffle; 11. Bayreuth Ulrich Konrad; 12. Berlin Dietmar Schenk; 13. Vienna Joseph E. Jones; Part III. Cultural Engagement and Musical Life: 14. Strauss as reader Matthew Werley; 15. Antiquity Jason Geary; 16. Philosophy and religion Charles Youmans; 17. Allgemeiner deutscher musikverein James Deaville; 18. Genossenschaft deutscher tonsetzer Manuela Schmidt; Part IV. Professional and Musical Contexts: 19. The composer Jeremy Zima; 20. The conductor Raymond Holden; 21. The orchestra Scott Warfield; 22. Program music Jonathan Kregor; 23. Post-wagnerian opera Morten Kristiansen; 24. The lied Jürgen May; Part V. In History: 25. Modernism Peter Franklin; 26. Traditionalism Leon Botstein; 27. World War I Philip Graydon; 28. Nazi Germany Erik Levi; 29. Lateness Giangiorgio Satragni; 30. Reception Franzpeter Messmer; Part VI. Artifacts and Legacy: 31. Publishers and editions Andreas Pernpeintner and Stefan Schenk; 32. Letters Claudia Heine and Adrian Kech; 33. In performance Raymond Holden; 34. Influence Ben Winters; 35. 2001: A space odyssey and beyond Charles Youmans; 36. Scholarly directions Matthew Werley; Index.

'The essays are excellent and sure to be of interest to readers at all levels … Highly recommended.' S. Edwards, Choice

Morten Kristiansen is Associate Professor of Musicology and director of the music program at Xavier University, Cincinnati, Ohio. In addition to conference papers and journal articles on Richard Strauss and fin-de-siècle German opera, he has authored program notes for the Salzburg Festival. Joseph E. Jones is Associate Professor of Music at Texas A&M University-Kingsville where he also serves as director of an annual study abroad program in Vienna. His research areas include German opera and the fin de siècle, and he is a co-editor of Genetic Criticism and the Creative Process (2009).

• Preface Morten Kristiansen and Joseph E. Jones; Part I. Family, Friends and Collaborators: 1. Family and upbringing Chris Walton; 2. Formative influences David Larkin; 3. Pauline de Ahna Katharina Hottmann; 4. Close friends Walter Werbeck; 5. Hofmannsthal Ingeborg Haase and Dirk Hoffmann; 6. The other librettists Kenneth Birkin; 7. Stage collaborators Ryan Prendergast; 8. Champions Bryan Gilliam; Part II. Career Stations: 9. Munich and Garmisch Sebastian Bolz; 10. Meiningen and Weimar Michael Saffle; 11. Bayreuth Ulrich Konrad; 12. Berlin Dietmar Schenk; 13. Vienna Joseph E. Jones; Part III. Cultural Engagement and Musical Life: 14. Strauss as reader Matthew Werley; 15. Antiquity Jason Geary; 16. Philosophy and religion Charles Youmans; 17. Allgemeiner deutscher musikverein James Deaville; 18. Genossenschaft deutscher tonsetzer Manuela Schmidt; Part IV. Professional and Musical Contexts: 19. The composer Jeremy Zima; 20. The conductor Raymond Holden; 21. The orchestra Scott Warfield; 22. Program music Jonathan Kregor; 23. Post-wagnerian opera Morten Kristiansen; 24. The lied Jürgen May; Part V. In History: 25. Modernism Peter Franklin; 26. Traditionalism Leon Botstein; 27. World War I Philip Graydon; 28. Nazi Germany Erik Levi; 29. Lateness Giangiorgio Satragni; 30. Reception Franzpeter Messmer; Part VI. Artifacts and Legacy: 31. Publishers and editions Andreas Pernpeintner and Stefan Schenk; 32. Letters Claudia Heine and Adrian Kech; 33. In performance Raymond Holden; 34. Influence Ben Winters; 35. 2001: A space odyssey and beyond Charles Youmans; 36. Scholarly directions Matthew Werley; Index.

'The essays are excellent and sure to be of interest to readers at all levels … Highly recommended.' S. Edwards, Choice

Morten Kristiansen is Associate Professor of Musicology and director of the music program at Xavier University, Cincinnati, Ohio. In addition to conference papers and journal articles on Richard Strauss and fin-de-siècle German opera, he has authored program notes for the Salzburg Festival. Joseph E. Jones is Associate Professor of Music at Texas A&M University-Kingsville where he also serves as director of an annual study abroad program in Vienna. His research areas include German opera and the fin de siècle, and he is a co-editor of Genetic Criticism and the Creative Process (2009).

• Preface Morten Kristiansen and Joseph E. Jones; Part I. Family, Friends and Collaborators: 1. Family and upbringing Chris Walton; 2. Formative influences David Larkin; 3. Pauline de Ahna Katharina Hottmann; 4. Close friends Walter Werbeck; 5. Hofmannsthal Ingeborg Haase and Dirk Hoffmann; 6. The other librettists Kenneth Birkin; 7. Stage collaborators Ryan Prendergast; 8. Champions Bryan Gilliam; Part II. Career Stations: 9. Munich and Garmisch Sebastian Bolz; 10. Meiningen and Weimar Michael Saffle; 11. Bayreuth Ulrich Konrad; 12. Berlin Dietmar Schenk; 13. Vienna Joseph E. Jones; Part III. Cultural Engagement and Musical Life: 14. Strauss as reader Matthew Werley; 15. Antiquity Jason Geary; 16. Philosophy and religion Charles Youmans; 17. Allgemeiner deutscher musikverein James Deaville; 18. Genossenschaft deutscher tonsetzer Manuela Schmidt; Part IV. Professional and Musical Contexts: 19. The composer Jeremy Zima; 20. The conductor Raymond Holden; 21. The orchestra Scott Warfield; 22. Program music Jonathan Kregor; 23. Post-wagnerian opera Morten Kristiansen; 24. The lied Jürgen May; Part V. In History: 25. Modernism Peter Franklin; 26. Traditionalism Leon Botstein; 27. World War I Philip Graydon; 28. Nazi Germany Erik Levi; 29. Lateness Giangiorgio Satragni; 30. Reception Franzpeter Messmer; Part VI. Artifacts and Legacy: 31. Publishers and editions Andreas Pernpeintner and Stefan Schenk; 32. Letters Claudia Heine and Adrian Kech; 33. In performance Raymond Holden; 34. Influence Ben Winters; 35. 2001: A space odyssey and beyond Charles Youmans; 36. Scholarly directions Matthew Werley; Index.

'The essays are excellent and sure to be of interest to readers at all levels … Highly recommended.' S. Edwards, Choice