Revolutions Aesthetic

Max Weiss is Associate Professor of History and Near Eastern Studies at Princeton University. He is the author of In the Shadow of Sectarianism: Law, Shi'ism and the Making of Modern Lebanon (2010).

"Innovative, meticulous, and brilliantly written, Revolutions Aesthetic will serve as the standard bearer for studies on the modern cultural history of the Arab world and the broader Middle East. Max Weiss's work has profound implications for understanding the relationship of cultural producers and the state within postcolonial revolutionary systems around the world."—Kamran Rastegar, Tufts University "Revolutions Aesthetic intervenes in a rich conversation about 20th- and early 21st-century cultural production in Syria's evolving dictatorship. Max Weiss's attention to gender dynamics and competing artistic visions, as well as his admirably lucid prose, make this book a valuable contribution to understanding the relationship between politics and aesthetics."—Lisa Wedeen, University of Chicago "Max Weiss dives into the history of the revolution's aesthetic, which, like a safe for the imagination, senses, and freedom of Syrians, the dictator has failed to melt into his full metal statue. Revolutions Aesthetic enters the Syrian cinematic shot to observe and understand how it works."—Ossama Mohammed, director of Stars in Broad Daylight and Sacrifices "For readers who are interested in the intersection between culture and politics in the context of Syria and the Middle East, this book is a must-read."—Shaoqun Lian, China International Strategy Review "Max Weiss is a well-respected name among scholars of Middle Eastern history and literature, and this newest publication only further cements his significance to the field. His deep bench of literary and historical work gives his newest publication, Revolutions Aesthetic, a powerful evidence-based positionality.... The work is groundbreaking and innovative in conceptualizing a cultural and intellectual history of activist creative outlets witnessing and reflecting on tragedy and tyranny."—Beverly Tsacoyianis, American Historical Review