Del i serien SUNY series in Gender Theory

Revolt, Affect, Collectivity

The Unstable Boundaries of Kristeva's Polis

Häftad, Engelska, 2005

509 kr

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Explores how the concept of revolution permeates and unifies Kristeva's body of work.These original essays explore how the concept of revolution permeates and unifies Julia Kristeva's body of work by tracing its trajectory from her early engagement with the Tel Quel group, through her preoccupation in the 1980s with abjection, melancholia, and love, to her latest work. Some of the leading voices in Kristeva scholarship examine her reevaluation of the concept of revolt in the context of the changing cultural and political conditions in the West; the questions of the stranger, race, and nation; her reflections on narrative, public spaces, and collectivity in the context of her engagement with Hannah Arendt's work; her development and refinement of the notions of abjection, melancholia, and narcissism in her ongoing interrogation of aesthetics; as well as her contribution to film theory. Focused primarily on Kristeva's newest work-much of it only recently translated into English-this book breaks new ground in Kristeva scholarship.

Produktinformation

Utgivningsdatum2005-09-22
Mått169 x 227 x 13 mm
Vikt386 g
FormatHäftad
SpråkEngelska
SerieSUNY series in Gender Theory
Antal sidor223
FörlagState University of New York Press
ISBN9780791465684

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Filosofiska discipliner inom Filosofi och religion

INTRODUCTION: Tina Chanter and Ewa Płonowska Ziarek I. FEMININITY, RACE, AND REVOLT 1. Julia Kristeva and the Revolutionary Politics of Tel QuelJoan Brandt 2. From Revolution to Revolt CultureSara Beardsworth 3. Kristeva and Fanon: Revolutionary Violence and Ironic Articulation Ewa Płonowska Ziarek 4. Revolt and ForgivenessKelly Oliver II. AFFECT, COMMUNITY, POLITICS 5. The Skin of the Community: Affect and Boundary Formation Sara Ahmed 6. Bearing Witness in the Polis: Kristeva, Arendt, and the Space of AppearanceNoëlle McAfee 7. Political Affections: Kristeva and Arendt on Violence and GratitudePeg Birmingham III. ABJECTION, FILM, AND MELANCHOLIA 8. The Exoticization and Universalization of the Fetish, and the Naturalization of the Phallus: Abject ObjectionsTina Chanter 9. On the Border between Abjection and the Third: The (Re)Birth of Narcissus in the Works of Julia KristevaPleshette DeArmitt 10. Black and Blue: Kieslowski's MelancholiaFrances L. Restuccia Contributors Index

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