Daniel Grandbois is the author of the prose poetry/flash fiction collection Unlucky Lucky Days, the art novel The Hermaphrodite: An Hallucinated Memoir, and the prose poetry collection Unlucky Lucky Tales. His work has appeared in Fiction, Boulevard, the Mississippi Review, Conjunctions, and Electric Lit, among others, and often includes collaborations with visual artists across the Americas.

Imagine, as Daniel Grandbois has, a conflation of Marxes (Karl and Groucho) and a hipster Plato, and you can begin to understand the enterprise of reimagining the history of Western philosophy as a series of comic summaries, complete with abstracts for the novice and infused with a storyteller's sense of the need to entertain, while shedding light on the great intellectual enterprises from ancient to modern times. This book is a marvel.

Daniel Grandbois is the author of the prose poetry/flash fiction collection Unlucky Lucky Days, the art novel The Hermaphrodite: An Hallucinated Memoir, and the prose poetry collection Unlucky Lucky Tales. His work has appeared in Fiction, Boulevard, the Mississippi Review, Conjunctions, and Electric Lit, among others, and often includes collaborations with visual artists across the Americas.

Imagine, as Daniel Grandbois has, a conflation of Marxes (Karl and Groucho) and a hipster Plato, and you can begin to understand the enterprise of reimagining the history of Western philosophy as a series of comic summaries, complete with abstracts for the novice and infused with a storyteller's sense of the need to entertain, while shedding light on the great intellectual enterprises from ancient to modern times. This book is a marvel.

Daniel Grandbois is the author of the prose poetry/flash fiction collection Unlucky Lucky Days, the art novel The Hermaphrodite: An Hallucinated Memoir, and the prose poetry collection Unlucky Lucky Tales. His work has appeared in Fiction, Boulevard, the Mississippi Review, Conjunctions, and Electric Lit, among others, and often includes collaborations with visual artists across the Americas.

Imagine, as Daniel Grandbois has, a conflation of Marxes (Karl and Groucho) and a hipster Plato, and you can begin to understand the enterprise of reimagining the history of Western philosophy as a series of comic summaries, complete with abstracts for the novice and infused with a storyteller's sense of the need to entertain, while shedding light on the great intellectual enterprises from ancient to modern times. This book is a marvel.