Return of Jazz

Andrew Wright Hurley holds a PhD in German Studies and a Bachelor of Law from the University of Melbourne. He has published articles on jazz in Germany and Australia, as well as articles on German Cinema, cross-cultural film-making, and law. He is a lecturer in German Studies at the University of Technology, Sydney.

• IllustrationsForewordPrefaceAcknowledgementsAbbreviationsIntroductionPART I: JOACHIM-ERNST BERENDT AND THE POSTWAR LEGITIMATION OF JAZZ Chapter 1. Jazz and the divide between serious and entertainment musicChapter 2. Dance as escape?Chapter 3. Jazz greetings to and from the East?Chapter 4. Jazz, race, and colourblindnessPART II: JAZZ MEETS THE (NEW) OLD WORLD: EUROPEANIZING JAZZChapter 5. The blues of German jazzChapter 6. Emancipation and the dilemma of Volk-jazzChapter 7. Globe Unity: Free jazz meets European New MusicChapter 8. Emancipation from the Jazz PopeChapter 9. On the uses of European jazzPART III: JAZZ MEETS THE OTHER WORLDChapter 10. The Marco Polo of jazzChapter 11. The Goethe Institut’s jazz ambassadors strike upChapter 12. Japanesing jazz, or: kimono today, swing tomorrowChapter 13. Doing the bossa in BerlinChapter 14. The 1967 world-jazz encounters: An East-West jazz-divan?Chapter 15. Finding the Blut und Boden in African rootsConclusion: Berendt and the utopia of WeltmusikChronologyDiscographyBibliographyIndex

“The producer, writer and critic Berendt (1922-2000) remains a central, albeit for some a problematic, figure in the history of relatively recent German jazz and European jazz in general. Andrew Wright Hurley offers a welcome, closely researched study of a man who a decade after his untimely death continues to divide opinion among musicians, fellow producers and critics.”  ·  Jazz Journal“…an eminently readable and thoughtful inquiry into the life and works of a man whose career in many ways parallels not just the West German jazz scene, but West German culture as a whole between 1950 and 1980. His work is thus both a valuable introduction to Berendt’s thought as well as an important intervention into current scholarship about the role of global and American culture in the development and contestation of West German identity.”  ·  German Politics & Society"In The Return of Jazz, Andrew Wright Hurley has admirably demonstrated Berendt's influence upon the emerging jazz scene of the early Federal Republic. Hurley shows how Cold War politics and rejection of the National Socialist past heightened Berendt's sense of mission. For Berendt, jazz was more than an avocation; it was a program for social and cultural reform. It is to Hurley's credit that he raises so many important issues surrounding jazz's development in the second half of the twentieth century."  ·  H-German"This is a benchmark study, in showing why a subject that has been overlooked in jazz historiography should not have been. Its importance lies not just in recognising the importance of a major mediator and 'enabler' of postwar jazz; it also models the late twentieth century shift of the jazz centre of gravity away from the US and towards international fusions. In its balancing of cultural theory with the most painstaking empirical research this is, quite simply, essential reading not just in jazz scholarship, but in the larger field of cultural history and its methodologies."  ·  Bruce Johnson Cultural History, University of Turku