Rethinking Place in South Asian and Islamic Art, 1500-Present

Deborah S. Hutton is Professor, Department of Art and Art History, The College of New Jersey, USA.Rebecca M. Brown is Associate Professor, History of Art, Johns Hopkins University, USA.

• Introduction: In and Out of Place: Engagements in South Asian and Islamic Art History Deborah S. Hutton and Rebecca M. Brown Part I: Experiencing Place1. "And in the Soup Kitchen Food Shall Be Cooked Twice Every Day": Gustatory Aspects of Ottoman Mosque ComplexesNina Ergin2. A Mandir for the Masses or Apparatus of Imperial Authority? The Amba Mata Temple in UdaipurJennifer Joffee3. Water in the Expanded Field: Art, Thought and Immersion in the Yamuna river: 2005–2011Venugopal Maddipati4. The Global, The Local, The Contemporary, The Collaborative: Ghari/Ghar Pe/At Home, Dharavi, Mumbai, 2012Atreyee GuptaPart II: Shifting Place5. Mary on the Moon: Ivory Statuettes of the Virgin Mary from Goa and Sri LankaMarsha G. Olson6. From Dictatorship to Democracy: Cordoba’s Islamic Monuments in the Twentieth CenturyJennifer Roberson7. Mosque, Dome, Minaret: Ahmadiyya Architecture in Germany since 2000Alisa EimenPart III: Defining Place8. Shangri La: The Archive-Museum and the Spatial Topologies of Islamic Art HistorySugata Ray9. A Thoroughly Modern Major: Photography, Identity, and Politics at the Court of HyderabadDeborah S. Hutton10. Useful but Dangerous: Photography and the Madras School of Art, 1850–1873Deepali Dewan11. Temporal Transformations: Terracotta and TrashRebecca M. Brown