Lutz Koepnick is the Max Kade Foundation Chair in German Studies and Professor of Cinema and Media Arts at Vanderbilt University (Nashville, USA). Koepnick has published widely on media and sound art, film, and aesthetic theory from the 19th to the 21st century. He is the author of, most recently, Fitzcarraldo (2018), The Long Take: Art Cinema and the Wondrous (2017), Michael Bay: World Cinema in the Age of Populism (2017), and On Slowness: Toward an Aesthetic of the Contemporary (2014).

• 1. Introduction2. Resonance3. Enchantment4. Listening5. Singing6. Subjectivity7. Matter8. Attention9. Politics10. Critique

Koepnick's profoundly insightful and engagingly written volume can serve as a kind of advanced introduction to sound art while offering a generously broad host of new ideas to the specialist. Last but not least, the volume also proposes a new type of 'resonant criticism.'

Lutz Koepnick is the Max Kade Foundation Chair in German Studies and Professor of Cinema and Media Arts at Vanderbilt University (Nashville, USA). Koepnick has published widely on media and sound art, film, and aesthetic theory from the 19th to the 21st century. He is the author of, most recently, Fitzcarraldo (2018), The Long Take: Art Cinema and the Wondrous (2017), Michael Bay: World Cinema in the Age of Populism (2017), and On Slowness: Toward an Aesthetic of the Contemporary (2014).

• 1. Introduction2. Resonance3. Enchantment4. Listening5. Singing6. Subjectivity7. Matter8. Attention9. Politics10. Critique

Koepnick's profoundly insightful and engagingly written volume can serve as a kind of advanced introduction to sound art while offering a generously broad host of new ideas to the specialist. Last but not least, the volume also proposes a new type of 'resonant criticism.'

Lutz Koepnick is the Max Kade Foundation Chair in German Studies and Professor of Cinema and Media Arts at Vanderbilt University (Nashville, USA). Koepnick has published widely on media and sound art, film, and aesthetic theory from the 19th to the 21st century. He is the author of, most recently, Fitzcarraldo (2018), The Long Take: Art Cinema and the Wondrous (2017), Michael Bay: World Cinema in the Age of Populism (2017), and On Slowness: Toward an Aesthetic of the Contemporary (2014).

• 1. Introduction2. Resonance3. Enchantment4. Listening5. Singing6. Subjectivity7. Matter8. Attention9. Politics10. Critique

Koepnick's profoundly insightful and engagingly written volume can serve as a kind of advanced introduction to sound art while offering a generously broad host of new ideas to the specialist. Last but not least, the volume also proposes a new type of 'resonant criticism.'