Edited by Abbe E.L. Brown, School of Law, University of Aberdeen and Charlotte Waelde, Centre for Dance Research, Coventry University, UK

• Contents:Foreword by Ian HargreavesIntroductionAbbe E. L. Brown and Charlotte WaeldePart I Setting the Scene: What is Intellectual Property and why is it relevant to creative industries1. Whither the creative economy? Some reflections on the European casePhilip Schlesinger 2. Copyright and performers’ rights in the creative industries: old laws for new challengesMathilde Pavis3. Design, utility models and patentsStina Teilmann-Lock4. Passing off, unfair competition and trade marksHasan Kadir Yilmaztekin5. Intellectual property in creative industries: the economic perspectiveChristian HandkePart II National and Regional Perspectives6. Intellectual property and creative industries policy in the UKKristofer Erickson7. Intellectual property and creative industries policy in AfricaEnyinna Nwauche 8. The Creative industries and intellectual property in IndiaYudhishthir Raj Isar9. If all you have is a hammer: Promoting the creative industries through EU copyright reformJulia Reda10. Cultural creative industries from a cultural policy perspective: the case of Japan Emiko KakiuchiPart III Intellectual Property, Creativity and Reward: Sharing and Enforcement11. Open approaches to sharing: Registered and unregistered rightsAndres Guadamuz 12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity Nagla Rizk13. Intellectual property enforcement: empirical consideration of enforcement actionJane Cornwell14. Enforcement and remedy: What is success? IP litigation and the Creative IndustriesAbbe E. L. Brown Part IV Case Studies: Coping with Legal, Social and Technical Change15. Visual Arts: Artists’ voices from the field Smita Kheria16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse Amalia Sabiescu 17. Performing arts: a study of danceCharlotte Waelde and Sarah Whatley 18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folkloreStephen Collins 19. The creative sector and traditional knowledgeSusy Frankel20. Software: Intellectual property and artificial intelligence Roger Burt and Colin Davies21. Copyright in MuseumsAmalyah KeshetPart V Cross-Sector Issues22. Theory and philosophyJaime Stapleton23. How people understand intellectual property, creativity and rewardGregory N. Mandel24. Appropriating value: on the relationship between business models and intellectual propertyHenning Berthold, Melinda Grewar, Shiona Chillas and Barbara Townley25. Corporate social responsibility, intellectual property and the creative industriesAbbe E. L. Brown, Nicholas Gervassis and Rumbidzai MukonoweshuroPart VI Foresighting26. The hard sell: economics and intellectual property policy in the creative and cultural industries Nicola Searle27. Creative industries, diversity and intellectual property Irene Calboli28. Creative economy: industry versus language? John Hartley 29. Distributed, cumulative, collaborative, collective creativity Valdimar Tr. HafsteinIndex

'This volume gives incisive insight into the conflicted dynamics between IP and the creative industries. The authors cut through much rhetoric and entrenched positions to nudge the reader into entertaining the possibility of alternate perspectives and policy positions. The case studies, sectoral focus and evaluation of cross-sector issues deepens and grounds the authors' arguments in the lived reality of industry players and national or regional contexts. The discussion of enforcement and economics as well as the fore-sighting section ensures comprehensive treatment of the volume's focus. An enriching read.'--Caroline B Ncube, University of Cape Town, South Africa'The social synergy which exists between IP and the creative industries is becoming increasingly important globally. This all-embracing volume, edited by highly respected professors, provides a vital contribution to law and policy thinking. It offers a range of discourses including subaltern perspectives and oft-forgotten subjects including: museum curating, economic analyses on artists' earnings, business models coupled with corporate social responsibility, plus less visible creative sectors including ethnic fashion and dance.'--Uma Suthersanen, Queen Mary, University of London

Edited by Abbe E.L. Brown, School of Law, University of Aberdeen and Charlotte Waelde, Centre for Dance Research, Coventry University, UK

• Contents:Foreword by Ian HargreavesIntroductionAbbe E. L. Brown and Charlotte WaeldePart I Setting the Scene: What is Intellectual Property and why is it relevant to creative industries1. Whither the creative economy? Some reflections on the European casePhilip Schlesinger 2. Copyright and performers’ rights in the creative industries: old laws for new challengesMathilde Pavis3. Design, utility models and patentsStina Teilmann-Lock4. Passing off, unfair competition and trade marksHasan Kadir Yilmaztekin5. Intellectual property in creative industries: the economic perspectiveChristian HandkePart II National and Regional Perspectives6. Intellectual property and creative industries policy in the UKKristofer Erickson7. Intellectual property and creative industries policy in AfricaEnyinna Nwauche 8. The Creative industries and intellectual property in IndiaYudhishthir Raj Isar9. If all you have is a hammer: Promoting the creative industries through EU copyright reformJulia Reda10. Cultural creative industries from a cultural policy perspective: the case of Japan Emiko KakiuchiPart III Intellectual Property, Creativity and Reward: Sharing and Enforcement11. Open approaches to sharing: Registered and unregistered rightsAndres Guadamuz 12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity Nagla Rizk13. Intellectual property enforcement: empirical consideration of enforcement actionJane Cornwell14. Enforcement and remedy: What is success? IP litigation and the Creative IndustriesAbbe E. L. Brown Part IV Case Studies: Coping with Legal, Social and Technical Change15. Visual Arts: Artists’ voices from the field Smita Kheria16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse Amalia Sabiescu 17. Performing arts: a study of danceCharlotte Waelde and Sarah Whatley 18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folkloreStephen Collins 19. The creative sector and traditional knowledgeSusy Frankel20. Software: Intellectual property and artificial intelligence Roger Burt and Colin Davies21. Copyright in MuseumsAmalyah KeshetPart V Cross-Sector Issues22. Theory and philosophyJaime Stapleton23. How people understand intellectual property, creativity and rewardGregory N. Mandel24. Appropriating value: on the relationship between business models and intellectual propertyHenning Berthold, Melinda Grewar, Shiona Chillas and Barbara Townley25. Corporate social responsibility, intellectual property and the creative industriesAbbe E. L. Brown, Nicholas Gervassis and Rumbidzai MukonoweshuroPart VI Foresighting26. The hard sell: economics and intellectual property policy in the creative and cultural industries Nicola Searle27. Creative industries, diversity and intellectual property Irene Calboli28. Creative economy: industry versus language? John Hartley 29. Distributed, cumulative, collaborative, collective creativity Valdimar Tr. HafsteinIndex

'This volume gives incisive insight into the conflicted dynamics between IP and the creative industries. The authors cut through much rhetoric and entrenched positions to nudge the reader into entertaining the possibility of alternate perspectives and policy positions. The case studies, sectoral focus and evaluation of cross-sector issues deepens and grounds the authors' arguments in the lived reality of industry players and national or regional contexts. The discussion of enforcement and economics as well as the fore-sighting section ensures comprehensive treatment of the volume's focus. An enriching read.'--Caroline B Ncube, University of Cape Town, South Africa'The social synergy which exists between IP and the creative industries is becoming increasingly important globally. This all-embracing volume, edited by highly respected professors, provides a vital contribution to law and policy thinking. It offers a range of discourses including subaltern perspectives and oft-forgotten subjects including: museum curating, economic analyses on artists' earnings, business models coupled with corporate social responsibility, plus less visible creative sectors including ethnic fashion and dance.'--Uma Suthersanen, Queen Mary, University of London

Edited by Abbe E.L. Brown, School of Law, University of Aberdeen and Charlotte Waelde, Centre for Dance Research, Coventry University, UK

• Contents:Foreword by Ian HargreavesIntroductionAbbe E. L. Brown and Charlotte WaeldePart I Setting the Scene: What is Intellectual Property and why is it relevant to creative industries1. Whither the creative economy? Some reflections on the European casePhilip Schlesinger 2. Copyright and performers’ rights in the creative industries: old laws for new challengesMathilde Pavis3. Design, utility models and patentsStina Teilmann-Lock4. Passing off, unfair competition and trade marksHasan Kadir Yilmaztekin5. Intellectual property in creative industries: the economic perspectiveChristian HandkePart II National and Regional Perspectives6. Intellectual property and creative industries policy in the UKKristofer Erickson7. Intellectual property and creative industries policy in AfricaEnyinna Nwauche 8. The Creative industries and intellectual property in IndiaYudhishthir Raj Isar9. If all you have is a hammer: Promoting the creative industries through EU copyright reformJulia Reda10. Cultural creative industries from a cultural policy perspective: the case of Japan Emiko KakiuchiPart III Intellectual Property, Creativity and Reward: Sharing and Enforcement11. Open approaches to sharing: Registered and unregistered rightsAndres Guadamuz 12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity Nagla Rizk13. Intellectual property enforcement: empirical consideration of enforcement actionJane Cornwell14. Enforcement and remedy: What is success? IP litigation and the Creative IndustriesAbbe E. L. Brown Part IV Case Studies: Coping with Legal, Social and Technical Change15. Visual Arts: Artists’ voices from the field Smita Kheria16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse Amalia Sabiescu 17. Performing arts: a study of danceCharlotte Waelde and Sarah Whatley 18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folkloreStephen Collins 19. The creative sector and traditional knowledgeSusy Frankel20. Software: Intellectual property and artificial intelligence Roger Burt and Colin Davies21. Copyright in MuseumsAmalyah KeshetPart V Cross-Sector Issues22. Theory and philosophyJaime Stapleton23. How people understand intellectual property, creativity and rewardGregory N. Mandel24. Appropriating value: on the relationship between business models and intellectual propertyHenning Berthold, Melinda Grewar, Shiona Chillas and Barbara Townley25. Corporate social responsibility, intellectual property and the creative industriesAbbe E. L. Brown, Nicholas Gervassis and Rumbidzai MukonoweshuroPart VI Foresighting26. The hard sell: economics and intellectual property policy in the creative and cultural industries Nicola Searle27. Creative industries, diversity and intellectual property Irene Calboli28. Creative economy: industry versus language? John Hartley 29. Distributed, cumulative, collaborative, collective creativity Valdimar Tr. HafsteinIndex

'This volume gives incisive insight into the conflicted dynamics between IP and the creative industries. The authors cut through much rhetoric and entrenched positions to nudge the reader into entertaining the possibility of alternate perspectives and policy positions. The case studies, sectoral focus and evaluation of cross-sector issues deepens and grounds the authors' arguments in the lived reality of industry players and national or regional contexts. The discussion of enforcement and economics as well as the fore-sighting section ensures comprehensive treatment of the volume's focus. An enriching read.'--Caroline B Ncube, University of Cape Town, South Africa'The social synergy which exists between IP and the creative industries is becoming increasingly important globally. This all-embracing volume, edited by highly respected professors, provides a vital contribution to law and policy thinking. It offers a range of discourses including subaltern perspectives and oft-forgotten subjects including: museum curating, economic analyses on artists' earnings, business models coupled with corporate social responsibility, plus less visible creative sectors including ethnic fashion and dance.'--Uma Suthersanen, Queen Mary, University of London