Inbunden, Engelska, 2010
Representing Segregation
Toward an Aesthetics of Living Jim Crow, and Other Forms of Racial Division
Av Brian Norman, Piper Kendrix Williams
1659 kr
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Produktinformation
- Utgivningsdatum: 2010-04-05
- Mått: 152 x 229 x 25 mm
- Vikt: 544 g
- Format: Inbunden
- Språk: Engelska
- Antal sidor: 294
- Förlag: State University of New York Press
- Medarbetare: Joycelyn Moody
- ISBN: 9781438430331
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Brian Norman is Assistant Professor of African American and American Literature at Loyola University Maryland. He is the author of The American Protest Essay and National Belonging: Addressing Division, also published by SUNY Press. Piper Kendrix Williams is Assistant Professor of African American Studies and English at the College of New Jersey.
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"This book deals with more than just aesthetics; it also looks at the very nature of literary and theoretical representations of segregation." — Kathaleen E. Amende, Alabama State UniversityBrian Norman is Assistant Professor of African American and American Literature at Loyola University Maryland. He is the author of The American Protest Essay and National Belonging: Addressing Division, also published by SUNY Press. Piper Kendrix Williams is Assistant Professor of African American Studies and English at the College of New Jersey."By defining key figures, practices, and comparative approaches … [Representing Segregation] clarif[ies] and validate[s] the work of scholarship on the literature of the Civil Rights Movement … the volume … is excellent." — MELUS"Norman and Williams have assembled a collection of fine essays addressing the topic of place and space with regard to segregation … Presenting not only an eye-opening lesson in African American history but also a study in environmental justice, the contributors to this volume explain how race is embedded in the body, street, city, region, and country … This book settles any question there may have been about whether segregation or Jim Crow narrative exists … Highly recommended." — CHOICE"This book deals with more than just aesthetics; it also looks at the very nature of literary and theoretical representations of segregation." — Kathaleen E. Amende, Alabama State University
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