Jason Edwards is Professor of Art History at the University of York. He is the author of Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist.

• List of Illustrations ixIntroduction. Reparative Craft 11. The First Four Pages of a Texture Book (ca.1996–1999) 132. A Weft Is Being Beaten, or Weaving in the Cybernetic Fold (1996–1999) 333. Floating Columns (1999–2000) 494. In the Bardo (1999–2000), or Epistemology of a Different Closet 755. Bodhisattva Fractal World (2002) 1196. Works in Fiber, Paper, and Proust (2005) 201Coda. An Inward Accumulation of a Wealth of Materials 269Acknowledgments 275Notes 277Bibliography 297Index

“Jason Edwards offers a sophisticated, meticulously researched, and deeply thoughtful picture of the warp and weft of textile as an organizing metaphor and a committed practice of artmaking for Eve Kosofsky Sedgwick. Reparative Craft makes a surprising contribution to Sedgwick’s ideas and to the history of fiber, unfolding as a story of living, making, and thinking that reorients queer theory’s relationship to art.”—David J. Getsy, author of Queer Behavior: Scott Burton and Performance Art

Jason Edwards is Professor of Art History at the University of York. He is the author of Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist.

• List of Illustrations ixIntroduction. Reparative Craft 11. The First Four Pages of a Texture Book (ca.1996–1999) 132. A Weft Is Being Beaten, or Weaving in the Cybernetic Fold (1996–1999) 333. Floating Columns (1999–2000) 494. In the Bardo (1999–2000), or Epistemology of a Different Closet 755. Bodhisattva Fractal World (2002) 1196. Works in Fiber, Paper, and Proust (2005) 201Coda. An Inward Accumulation of a Wealth of Materials 269Acknowledgments 275Notes 277Bibliography 297Index

“Jason Edwards offers a sophisticated, meticulously researched, and deeply thoughtful picture of the warp and weft of textile as an organizing metaphor and a committed practice of artmaking for Eve Kosofsky Sedgwick. Reparative Craft makes a surprising contribution to Sedgwick’s ideas and to the history of fiber, unfolding as a story of living, making, and thinking that reorients queer theory’s relationship to art.”—David J. Getsy, author of Queer Behavior: Scott Burton and Performance Art

Jason Edwards is Professor of Art History at the University of York. He is the author of Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist.

• List of Illustrations ixIntroduction. Reparative Craft 11. The First Four Pages of a Texture Book (ca.1996–1999) 132. A Weft Is Being Beaten, or Weaving in the Cybernetic Fold (1996–1999) 333. Floating Columns (1999–2000) 494. In the Bardo (1999–2000), or Epistemology of a Different Closet 755. Bodhisattva Fractal World (2002) 1196. Works in Fiber, Paper, and Proust (2005) 201Coda. An Inward Accumulation of a Wealth of Materials 269Acknowledgments 275Notes 277Bibliography 297Index

“Jason Edwards offers a sophisticated, meticulously researched, and deeply thoughtful picture of the warp and weft of textile as an organizing metaphor and a committed practice of artmaking for Eve Kosofsky Sedgwick. Reparative Craft makes a surprising contribution to Sedgwick’s ideas and to the history of fiber, unfolding as a story of living, making, and thinking that reorients queer theory’s relationship to art.”—David J. Getsy, author of Queer Behavior: Scott Burton and Performance Art