Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex

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Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex

Select Guide Rating

Shankar Raman is Associate Professor in the Faculty of Literature at MIT. He is the author of Framing "India": The Colonial Imaginary in Early Modern Culture (Stanford University Press, 2002).

• Series Editors' PrefaceList of IllustrationsAcknowledgementsTimeline1 Exploring the TerrainRenaissance Anti-colonialismsImperial TranslationsCannibalsGender and RaceDifference and Repetition2 DebatesTexts and Contexts Tempestuous HistoriesPostcolonial Reactivations of The TempestTheory after ShakespeareOthers and SelvesIreland: Civilised Selves and Barbarous OthersSpain and Turkey: Protestantism and its OthersThinking Differently about Others: Olearius' Travels3 Case StudiesTwo Ways of Looking at Colonial BeginningsUnfinished Histories: Gil Vicente's Auto da ÍndiaHistory as Myth: Luis Vaz de Camões' Os LusíadasTwo Ways of Writing the HeathenWriting the New World Native: de Bry's America IWriting the Chinese: de Bry's India Orientalis IIThe Brome-an Empire: Wonder and Theatre in The AntipodesCan't Buy me Love: John Donne's "Loves Progress"Revolutions that Have No Model: Marlowe's Tamburlaine the Great Primary Works CitedSecondary Works CitedFurther ReadingIndex

Select Guide Rating