Renaissance and the Enlightenment Paradoxes

Häftad, Engelska, 1995

629 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Volume III of A History of Women draws a richly detailed picture of women in early modern Europe, considering them in a context of work, marriage, and family. At the heart of this volume is “woman” as she appears in a wealth of representations, from simple woodcuts and popular literature to master paintings; and as the focal point of a debate—sometimes humorous, sometimes acrimonious—conducted in every field: letters, arts, philosophy, the sciences, and medicine. Against oppressive experience, confining laws, and repetitious claims about female “nature,” women took initiative by quiet maneuvers and outright dissidence. In conformity and resistance, in image and reality, women from the sixteenth through the eighteenth centuries emerge from these pages in remarkable diversity.

Produktinformation

Utgivningsdatum1995-03-15
Mått159 x 235 x 33 mm
Vikt1 025 g
FormatHäftad
SpråkEngelska
Antal sidor608
FörlagHarvard University Press
ISBN9780674403673
ÖversättareArthur Goldhammer

Tillhör följande kategorier

Natalie Zemon Davis was a preeminent social and cultural historian of early modern Europe. Her many books include Women on the Margins, Fiction in the Archives, and Trickster Travels. The recipient of a National Humanities Medal, she taught at Brown University, the University of Toronto, the University of California, Berkeley, and Princeton University, where she was Henry Charles Lea Professor of History. Arlette Farge is Director of Research in Modern History, Centre National de la Recherche Scientifique, Paris. Georges Duby, a member of the Académie Française, is Professor of Medieval History at the Collège de France. Michelle Perrot is Professor of Contemporary History at the Université de Paris VII.

Becoming attuned to another way of looking at things, listening to other voices, is an enormously challenging and stimulating task. This volume prompts us in some ways to think the unthinkable, imagine the unimaginable… In good Enlightenment fashion, the editors have demonstrated that one interpretation need not preclude another. In so doing, they have laid the foundation for the next stage of women’s history.