Rembrandt. The Painter at Work

Ernst van de Wetering (1938) was professor of art history. He became a team-member of the Rembrandt Research Project in 1968 and its chairman in 1993. Originally trained as a painter and art-historian, he worked from 1969-1987 in the Amsterdam based Central Research Laboratory of Objects of Art and Science. From 1987-2002 he taught at the University of Amsterdam. In 2003/2004 he was Slade Professor at the University of Oxford. He was considered one of the world's foremost specialists on Rembrandt and his work. In 1997, he published the widely acclaimed monograph Rembrandt: The Painter at Work (2nd ed. 2008). 2014 saw the publication of his monumental oeuvre catalogue Rembrandt's Paintings Revisited: A Complete Survey; the concluding volume of A Corpus of Rembrandt Paintings.

• Preface, I Introduction: Rembrandt –an Alchemist?, II Painting Materials and Working Methods of the Young Rembrandt, III Lost Drawings and the Use of Erasable Drawing Boards and ‘Tafeletten’, IV The Creation of the Pictorial Idea V The Canvas Support, VI The Palette; on the Relationship between Style and Painting Technique, VII Rembrandt’s Brushwork and Illusionism; an Art-Theoretical Approach, VIII Rembrandt’s Method of Working in the ‘Night Watch’ and his Late Paintings, IX The Search for Rembrandt’s Binding Medium, X The Impact of Time and Rembrandt’s Ideas on Colour and Tone, XI Perspectives on the Quality of Rembrandt’s Art, Biographical Data, and Chronological ,List of Rembrandt’s Works ,Reproduced in this Book, Notes, Bibliography, Glossary, Index, Concordance, Photo Acknowledgements

'The book is - if one may be allowed to say such a thing about a serious scholarly work - a gripping good-read.' Christopher White - The Burlington Magazine 'This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar.' Christopher Brown - Times Literary Supplement 'Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Wetering comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter.' Ernst Gombrich