Regimes of Invisibility in Contemporary Art, Theory and Culture

Image, Racialization, History

Inbunden, Engelska, 2017

AvMarina Gržinić,Aneta Stojnić,Miško Šuvaković

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The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life.

Produktinformation

Utgivningsdatum2017-09-20
Mått148 x 210 x 15 mm
Vikt358 g
FormatInbunden
SpråkEngelska
Antal sidor173
FörlagSpringer International Publishing AG
ISBN9783319551722

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Medievetenskap inom Samhälle och politik
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Marina Gržinić (PhD) is a philosopher and artist who lives in Ljubljana and works in Ljubljana and Vienna. She is researcher at the FI SRC SASA (Research Center of the Slovenian Academy of Science and Arts) Ljubljana and professor at the Academy of Fine Arts in Vienna.Aneta Stojnić (PhD) is a Belgrade-born theoretician, artist and curator. She is assistant professor at the Faculty of Media and Communications in Belgrade.Miško Šuvaković (PhD) is Dean of Faculty for Media and Communications, Singidunum University, Belgrade, and professor of theory of art and media in the PhD program of transdisciplinary humanities and theory of art.Contributions by: Marina Gržinić, Adla Isanović, Alanna Lockward, Federica Martini, Aleksa Milanović, Andrea Pócsik, Aneta Stojnić, Miško Šuvaković, Šefik Tatlić, Jelena Todorović

1. Introduction: Image, Racialization, History.- 2. Racialized bodies, and the digital (financial) mode of production.- 3. Politics and Aesthetics of Databases and Forensics.- 4. The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony.- 5. Influence of Western Society on Identity Politics of Sexual and Gender Minorities in Colonial and Post-Colonial India.- 6. Radical Contemporaneity: Politics of the Image in Videos by Gržinić & Šmid.- 7. Affective Constructions: Image – Racialization – History.- 8. Spiritual Revolutions: Afropean Body Politics and the 'Secularity' of the Arts.- 9. “Contingent monuments”: Constructions of Publicness in the Fascist Italy Exhibition Complex, 1920s-1940s.- 10. Screened Otherness: A Media Archaeology of Romani Criminalization.- 11. An Image and its Histories: The Uncovering of Rembrandt’s Masterpiece Lost During the Second World War.-