Del i serien ReFocus: The International Directors Series

ReFocus: The Films of Susanne Bier

Häftad, Engelska, 2019

AvMissy Molloy,Mimi Nielsen,Meryl Shriver-Rice

819 kr

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The award-winning Danish director Susanne Bier has become increasingly known for her generic innovations and industrial fluidity, moving confidently between cinema and television at a time where the scarcity of women directors has become a subject of major critical and popular attention. Refocus: The Films of Susanne Bier is a dynamic, scholarly engagement with Bier’s work, and a timely consideration of her impressive authorial achievements. Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the volume’s contributors.

Produktinformation

Utgivningsdatum2019-12-10
Mått156 x 234 x 19 mm
Vikt476 g
FormatHäftad
SpråkEngelska
SerieReFocus: The International Directors Series
Antal sidor304
FörlagEdinburgh University Press
ISBN9781474428736

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Film inom Kultur

Missy Molloy is a Lecturer in the Film Programme at Victoria University of Wellington (New Zealand). Mimi Nielsen is a Ph. D. Candidate in Comparative Literature at the University of Washington, Seattle. Meryl Shriver-Rice is the Director of Environmental Media at the Abess Center for Ecosystem Science and Policy at the University of Miami, where she directs and teaches for the Abess Center’s Master’s in Environment, Culture, & Media.

Foreword  Andrew Nestingen Introduction  Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice PART 1: GENERIC & INDUSTRIAL FLUIDITY1. Birger Langkjær - Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas2. Gunhild Agger - Negotiating Special Relationships: Susanne Bier’s Comedies3. Missy Molloy - Susanne Bier’s Hollywood Experiments: Things We Lost in the Fire and SerenaPART II: NEGOTIATING IDENTITY 4. Maureen Turim - Beginning with Jewish Survival: Freud’s Leaving Home 5. Anders Marklund - Stories with Queer Identities6. Pétur Valsson - The Case of Lars von Trier vs. Susanne Bier7. Mette Hjort - Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV ProductionPART III: AUTHORSHIP & AESTHETICS  8. Mimi Nielsen - Tracing Affect in Susanne Bier’s Dramas9. Danica Van De Velde - Vision and Ethics in A Second Chance (En chance til)10. Eva Novrup Redvall - The Truth is in the Eyes: Bringing Art Cinema Glimpses to the High-end Television Drama Series The Night Manager PART IV: TRANSNATIONAL REACH11. Belinda Smaill - Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema12. Cath Moore - From Local to Global: The Bier-Jensen Screenwriting Collaboration13. Meryl Shriver-Rice - First World Guilt, Danish Privilege and Responsibility in the Work of Susanne BierPOSTSCRIPT: A CONVERSATION WITH SUSANNE BIER  Interview with Susanne Bier conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice Filmography