"Recital: The Uses of Classical Music in Haiti is an important contribution to the musicological literature about the Caribbean, as well as classical music in general. Drawing upon a wide array of theoretical literature, the author situates classical music in Haiti as a potent signifier of personal identity, social class, and national pride. By moving beyond a consideration of genre in classical music to consider how it is put to use in Haitian summer music camps, Eldridge Stewart brings an ethnomusicological focus to a topic usually explored by historical musicologists." - Michael Largey, author of Vodou Nation: Haitian Art Music and Cultural Nationalism